"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." -Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and…mehr
"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." -Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans-all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation-attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.
Elizabeth D. Samet is the author of No Man's Land: Preparing for War and Peace in Post-9/11 America; Soldier's Heart: Reading Literature Through Peace and War at West Point, which won the Los Angeles Times Book Prize for Current Interest and was named one of the 100 Notable Books of 2007 by The New York Times; and Willing Obedience: Citizens, Soldiers, and the Progress of Consent in America, 1776-1898. Samet is the editor of Leadership: Essential Writings by Our Greatest Thinkers, The Annotated Memoirs of Ulysses S. Grant, and World War II Memoirs: Pacific Theater. The recipient of a National Endowment for the Humanities Public Scholar Grant and the Hiett Prize in the Humanities, she was also awarded a Guggenheim Fellowship to support the research and writing of Looking for the Good War. She is a professor of English at West Point.
Inhaltsangabe
Prologue: Is This Trip Really Necessary? Introduction: One War at a Time 1. Age of Gold 2. Dead-Shot American Cowboys 3. Thieves Like Us 4. War, What Is It Good For? 5. Giddy Minds and Foreign Quarrels Epilogue: Age of Iron Recommended Books and Films Acknowledgments
Prologue: Is This Trip Really Necessary? Introduction: One War at a Time 1. Age of Gold 2. Dead-Shot American Cowboys 3. Thieves Like Us 4. War, What Is It Good For? 5. Giddy Minds and Foreign Quarrels Epilogue: Age of Iron Recommended Books and Films Acknowledgments
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