Lorca in Tune with Falla is the first book to trace Lorca’s impact on Falla’s music, and Falla’s influence on Lorca’s writings.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nelson R. Orringer is an emeritus professor of Spanish at the University of Connecticut and a past winner of two Fulbright research grants and the Menéndez Pelayo Royal Society Humanistic Prize.
Inhaltsangabe
Illustrations and Musical Examples Preface Acknowledgements Musical Glossary Introduction: The Intersection of Two Artist´s Lives Ch. 1. Music in Lorca's Letters before Meeting Falla Ch. 2. Falla's Fantasy Bætica [Andalusian Fantasy] and Lorca's “Baladilla de los tres ríos” [Little Ballad of the Three Rivers]: Two Searches for Andalusian Wellsprings Ch. 3. “Poema de la siguiriya gitana” [Poem of the Gypsy Siguiriya]: Return to the Sources of Deep Song Ch. 4. “Poema de la soleá” [Poem of the Soleá]: Consciousness-Raising of Pain Ch. 5. “Poema de la saeta” [Poem of the Saeta]: The Oblation of Pain in Seville Ch. 6. “Gráfico de la Petenera” [Graph of the Petenera] and Falla´s Guitar Elegy to Debussy Ch. 7. Openness to Death in Flamenco Artists and in Southern Cities Ch. 8. “Seis caprichos” [Six Caprices] or Virtuosity and Art at a Distance Ch. 9. Falla on Deep Song and Lorca's Romancero gitano [Gypsy Ballads] Ch. 10. Andalusia´s Cultural Spirit in Two Trios of Romancero gitano Ch. 11. Lorca's Artistic Tributes to Falla Postlude and Coda Works Consulted Index
Illustrations and Musical Examples Preface Acknowledgements Musical Glossary Introduction: The Intersection of Two Artist´s Lives Ch. 1. Music in Lorca's Letters before Meeting Falla Ch. 2. Falla's Fantasy Bætica [Andalusian Fantasy] and Lorca's “Baladilla de los tres ríos” [Little Ballad of the Three Rivers]: Two Searches for Andalusian Wellsprings Ch. 3. “Poema de la siguiriya gitana” [Poem of the Gypsy Siguiriya]: Return to the Sources of Deep Song Ch. 4. “Poema de la soleá” [Poem of the Soleá]: Consciousness-Raising of Pain Ch. 5. “Poema de la saeta” [Poem of the Saeta]: The Oblation of Pain in Seville Ch. 6. “Gráfico de la Petenera” [Graph of the Petenera] and Falla´s Guitar Elegy to Debussy Ch. 7. Openness to Death in Flamenco Artists and in Southern Cities Ch. 8. “Seis caprichos” [Six Caprices] or Virtuosity and Art at a Distance Ch. 9. Falla on Deep Song and Lorca's Romancero gitano [Gypsy Ballads] Ch. 10. Andalusia´s Cultural Spirit in Two Trios of Romancero gitano Ch. 11. Lorca's Artistic Tributes to Falla Postlude and Coda Works Consulted Index
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