Ruth Connolly, Tom Cain
'Lords of Wine and Oile': Community and Conviviality in the Poetry of Robert Herrick
Ruth Connolly, Tom Cain
'Lords of Wine and Oile': Community and Conviviality in the Poetry of Robert Herrick
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A long overdue book-length appraisal of the major seventeenth-century poet Robert Herrick. The collection reads his poetry in the context of his literary, musical, political, and religious affiliations and looks at how he both presents and constructs ideals of community through his work.
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A long overdue book-length appraisal of the major seventeenth-century poet Robert Herrick. The collection reads his poetry in the context of his literary, musical, political, and religious affiliations and looks at how he both presents and constructs ideals of community through his work.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- New
- Seitenzahl: 280
- Erscheinungstermin: Oktober 2011
- Englisch
- Abmessung: 216mm x 142mm x 25mm
- Gewicht: 567g
- ISBN-13: 9780199604777
- ISBN-10: 0199604770
- Artikelnr.: 33158094
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Hurst & Co.
- New
- Seitenzahl: 280
- Erscheinungstermin: Oktober 2011
- Englisch
- Abmessung: 216mm x 142mm x 25mm
- Gewicht: 567g
- ISBN-13: 9780199604777
- ISBN-10: 0199604770
- Artikelnr.: 33158094
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Ruth Connolly is a lecturer in seventeenth-century literature at the School of English, Newcastle University. She has published on early modern women's writing and on the influence of Herrick's experience of manuscript circulation on the construction of Hesperides. She is currently co-editing Robert Herrick: The Complete Poetry for Oxford University Press. Tom Cain has recently retired as Professor of Early Modern Literature from the School of English in Newcastle University. He has published widely on Herrick and Donne and edited Poetaster for the Revels series, Sejanus for the Cambridge edition of Jonson's Works, the Poetry of Mildmay Fane for Manchester University Press and is currently co-editing Robert Herrick: The Complete Poetry for Oxford University Press.
* Preface
* A Note on Quotations
* List of Illustrations
* Contributors
* Introduction: Herrick's Communities of Manuscript and Print
* 1: Katharine Eisaman Maus: Why Read Herrick?
* 2: John Creaser: 'Jocond his Muse was': Celebration and Virtuosity in
Herrick
* 3: Leah S. Marcus: Conviviality Interrupted or, Herrick and
Postmodernism
* 4: Michelle O'Callaghan: 'Those Lyrick Feasts, made at the Sun, the
Dog, the triple Tunne': Going Clubbing with Ben Jonson
* 5: Nicholas McDowell: Herrick and the Order of the Black Riband:
Literary Community in Civil War London and the Publication of
Hesperides (1648)
* 6: Line Cottegnies: 'Leaves of Fame': Katherine Philips and Robert
Herrick's Shared Community
* 7: Richard Wistreich: 'Thou and Ile sing to make these dull Shades
merry': Herrick's Charon Dialogues
* 8: Stella Achilleos: Ile bring thee Herrick to Anacreon:' Robert
Herrick's Anacreontics and the Politics of Conviviality in
Hesperides
* 9: Syrithe Pugh: Supping with Ghosts: Imitation and Immortality in
Herrick
* 10: Stacey Jocoy: 'Touch but thy Lire (my Harrie)':Henry Lawes and
the Mirthful Music of Hesperides
* 11: Graham Parry: His Noble Numbers
* 12: Achsah Guibbory: Afterword:Herrick's Community, the Babylonian
Captivity, and the Uses of Historicism
* Further Reading
* Index
* A Note on Quotations
* List of Illustrations
* Contributors
* Introduction: Herrick's Communities of Manuscript and Print
* 1: Katharine Eisaman Maus: Why Read Herrick?
* 2: John Creaser: 'Jocond his Muse was': Celebration and Virtuosity in
Herrick
* 3: Leah S. Marcus: Conviviality Interrupted or, Herrick and
Postmodernism
* 4: Michelle O'Callaghan: 'Those Lyrick Feasts, made at the Sun, the
Dog, the triple Tunne': Going Clubbing with Ben Jonson
* 5: Nicholas McDowell: Herrick and the Order of the Black Riband:
Literary Community in Civil War London and the Publication of
Hesperides (1648)
* 6: Line Cottegnies: 'Leaves of Fame': Katherine Philips and Robert
Herrick's Shared Community
* 7: Richard Wistreich: 'Thou and Ile sing to make these dull Shades
merry': Herrick's Charon Dialogues
* 8: Stella Achilleos: Ile bring thee Herrick to Anacreon:' Robert
Herrick's Anacreontics and the Politics of Conviviality in
Hesperides
* 9: Syrithe Pugh: Supping with Ghosts: Imitation and Immortality in
Herrick
* 10: Stacey Jocoy: 'Touch but thy Lire (my Harrie)':Henry Lawes and
the Mirthful Music of Hesperides
* 11: Graham Parry: His Noble Numbers
* 12: Achsah Guibbory: Afterword:Herrick's Community, the Babylonian
Captivity, and the Uses of Historicism
* Further Reading
* Index
* Preface
* A Note on Quotations
* List of Illustrations
* Contributors
* Introduction: Herrick's Communities of Manuscript and Print
* 1: Katharine Eisaman Maus: Why Read Herrick?
* 2: John Creaser: 'Jocond his Muse was': Celebration and Virtuosity in
Herrick
* 3: Leah S. Marcus: Conviviality Interrupted or, Herrick and
Postmodernism
* 4: Michelle O'Callaghan: 'Those Lyrick Feasts, made at the Sun, the
Dog, the triple Tunne': Going Clubbing with Ben Jonson
* 5: Nicholas McDowell: Herrick and the Order of the Black Riband:
Literary Community in Civil War London and the Publication of
Hesperides (1648)
* 6: Line Cottegnies: 'Leaves of Fame': Katherine Philips and Robert
Herrick's Shared Community
* 7: Richard Wistreich: 'Thou and Ile sing to make these dull Shades
merry': Herrick's Charon Dialogues
* 8: Stella Achilleos: Ile bring thee Herrick to Anacreon:' Robert
Herrick's Anacreontics and the Politics of Conviviality in
Hesperides
* 9: Syrithe Pugh: Supping with Ghosts: Imitation and Immortality in
Herrick
* 10: Stacey Jocoy: 'Touch but thy Lire (my Harrie)':Henry Lawes and
the Mirthful Music of Hesperides
* 11: Graham Parry: His Noble Numbers
* 12: Achsah Guibbory: Afterword:Herrick's Community, the Babylonian
Captivity, and the Uses of Historicism
* Further Reading
* Index
* A Note on Quotations
* List of Illustrations
* Contributors
* Introduction: Herrick's Communities of Manuscript and Print
* 1: Katharine Eisaman Maus: Why Read Herrick?
* 2: John Creaser: 'Jocond his Muse was': Celebration and Virtuosity in
Herrick
* 3: Leah S. Marcus: Conviviality Interrupted or, Herrick and
Postmodernism
* 4: Michelle O'Callaghan: 'Those Lyrick Feasts, made at the Sun, the
Dog, the triple Tunne': Going Clubbing with Ben Jonson
* 5: Nicholas McDowell: Herrick and the Order of the Black Riband:
Literary Community in Civil War London and the Publication of
Hesperides (1648)
* 6: Line Cottegnies: 'Leaves of Fame': Katherine Philips and Robert
Herrick's Shared Community
* 7: Richard Wistreich: 'Thou and Ile sing to make these dull Shades
merry': Herrick's Charon Dialogues
* 8: Stella Achilleos: Ile bring thee Herrick to Anacreon:' Robert
Herrick's Anacreontics and the Politics of Conviviality in
Hesperides
* 9: Syrithe Pugh: Supping with Ghosts: Imitation and Immortality in
Herrick
* 10: Stacey Jocoy: 'Touch but thy Lire (my Harrie)':Henry Lawes and
the Mirthful Music of Hesperides
* 11: Graham Parry: His Noble Numbers
* 12: Achsah Guibbory: Afterword:Herrick's Community, the Babylonian
Captivity, and the Uses of Historicism
* Further Reading
* Index