With readings of key 'youth' films of the 1980s, this book expands the psychoanalytic framework within which current debates regarding fantasy and spectatorship have been taking place.
With readings of key 'youth' films of the 1980s, this book expands the psychoanalytic framework within which current debates regarding fantasy and spectatorship have been taking place.
Vicky Lebeau has published widely in the fields of psychoanalysis and visual culture. She has particular interests in the topics of sexuality, fantasy and representation. In psychoanalysis, she has particular interests in Freud, Winnicott, Andre Green, Jean Laplanche, Serge Leclaire, Michael Eigen, Joyce McDougall and Christopher Bollas; interests in 19th and 20th century writers and film-makers include George Eliot, Doris Lessing, Elfriede Jelinek, Michael Haneke.
Inhaltsangabe
1. Introduction 2. Daddy's cinema: femininity and mass spectatorship 3. Femininity, fantasy and the collective 4 Rumble Fish : Francis Coppola, Susan Hinton and Narcissus 5. Lost Angels: River's Edge and social spectatorship 6. Afterword `beyond all shadow of doubt' Notes Bibliography
1. Introduction 2. Daddy's cinema: femininity and mass spectatorship 3. Femininity, fantasy and the collective 4 Rumble Fish : Francis Coppola, Susan Hinton and Narcissus 5. Lost Angels: River's Edge and social spectatorship 6. Afterword `beyond all shadow of doubt' Notes Bibliography
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