This is a book about a specific time in the history of Vancouver's street art, 1985, the artists who made it and, unbeknownst to one and all, the local history that emerges from the images that were created on walls that no longer exist. It is a book about how street art and local history combine to create a unique story that is only obvious when you stop to examine it. 1985 is unique because this was the year before Vancouver was to change drastically and forever with the advent of Expo 86. Since then Vancouver, once Canada's quiet, provincial city on the west coast, has become a modern…mehr
This is a book about a specific time in the history of Vancouver's street art, 1985, the artists who made it and, unbeknownst to one and all, the local history that emerges from the images that were created on walls that no longer exist. It is a book about how street art and local history combine to create a unique story that is only obvious when you stop to examine it. 1985 is unique because this was the year before Vancouver was to change drastically and forever with the advent of Expo 86. Since then Vancouver, once Canada's quiet, provincial city on the west coast, has become a modern cosmopolitan, multicultural boom center with towering glass and steel buildings stretching to the sky, replacing the sawmills, low-rise buildings and parking lots that once were plentiful on the landscape. We invited the world, the world came.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
**Edited by Ron Kearse, (Editor of Sharing our Journeys - the first volume, Author of Road Without End, Just Outside of Hope, Lost History, Ex Animo, assistant writer for the television series Nations at War on the Aboriginal People's Television Network in Canada, local history, and blogs.) ** Introduction by Rebecca Mabanglo-Mayor, ( Author of Growing Up Filipino II: More Stories for Young Adults, Kuwento: Small Things, and Beyond Lumpia, Pansit, and Seven Manangs Wild: An Anthology. Pause Mid-Flight and Dancing Between Bamboo Poles. She is also the co-editor of True Stories: The Narrative Project Vols. I-IV, ) **Foreward by Neil Farnyhough, Manager Community Programs, Alexandra Neighbourhood House
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