Biographies of the first African-American recording stars, and how they succeeded against tremendous odds.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Tim Brooks is Executive Vice President of Research at Lifetime Television. He is the author of Little Wonder Records: A History and Discography and other books, as well as past president of the Association for Recorded Sound Collections. Dick Spottswood is a freelance author, broadcaster, and record producer. He is the author of the seven-volume reference work, Ethnic Music on Records.
Inhaltsangabe
Cover Title Page Copyright Page Contents Preface Acknowledgments Introduction: Lost, Stolen, or Strayed? PART ONE: George W. Johnson, the First Black Recording Artist 1. The Early Years 2. Talking Machines! 3. The Trial of George W. Johnson PART TWO: Black Recording Artists, 1890-99 4. The Unique Quartette 5. Louis "Bebe" Vasnier: Recording in Nineteenth-Century New Orleans 6. The Standard Quartette and South before the War 7. The Kentucky Jubilee Singers 8. Bert Williams and George Walker 9. Cousins and DeMoss 10. Thomas Craig PART THREE: Black Recording Artists, 1900-1909 11. The Dinwiddie Quartet 12. Carroll Clark 13. Charley Case: Passing for White? 14. The Fisk Jubilee Singers and the Popularization of Negro Spiriituals 15. Polk Miller and His Old South Quartette PART FOUR: Black Recording Artists, 1920-15 16. Jack Johnson 17. Daisy Tapley 18. Apollo Jubilee Quartette 19. Edward Sterling Wright and the Poery of Paul Laurence Dunbar 20. James Reese Europe 21. Will Marion Cook and the Afro-American Folk Song Singers 22. Dan Kildare and Joan Sawyer's Persian Garden Orchestra 23. The Tuskegee Institute Singers 24. The Right Quintette PART FIVE: Black Recording Artists, 1916-19 25. Wilbur C. Sweatman: Disrespecting Wilbur 26. Opal D. Cooper 27. Noble Sissle and Eubie Blake 28. Ford T. Dabney: Syncopation over Broadway 29. W. C. Handy 30. Roland Hayes 31. The Four Harmony Kings 32. Broome Special Phonograph Records 33. Edward H. Boatner 34. Harry T. Burleigh 35. Florence Cole-Talbert 36. R. Nathaniel Dett 37. Clarence Cameron White PART SIX: Other Early Recordings 38. Miscellaneous Recordings Appendix: Caribbean and South American Recordings Notes Select CD Discography Bibliography Index
Cover Title Page Copyright Page Contents Preface Acknowledgments Introduction: Lost, Stolen, or Strayed? PART ONE: George W. Johnson, the First Black Recording Artist 1. The Early Years 2. Talking Machines! 3. The Trial of George W. Johnson PART TWO: Black Recording Artists, 1890-99 4. The Unique Quartette 5. Louis "Bebe" Vasnier: Recording in Nineteenth-Century New Orleans 6. The Standard Quartette and South before the War 7. The Kentucky Jubilee Singers 8. Bert Williams and George Walker 9. Cousins and DeMoss 10. Thomas Craig PART THREE: Black Recording Artists, 1900-1909 11. The Dinwiddie Quartet 12. Carroll Clark 13. Charley Case: Passing for White? 14. The Fisk Jubilee Singers and the Popularization of Negro Spiriituals 15. Polk Miller and His Old South Quartette PART FOUR: Black Recording Artists, 1920-15 16. Jack Johnson 17. Daisy Tapley 18. Apollo Jubilee Quartette 19. Edward Sterling Wright and the Poery of Paul Laurence Dunbar 20. James Reese Europe 21. Will Marion Cook and the Afro-American Folk Song Singers 22. Dan Kildare and Joan Sawyer's Persian Garden Orchestra 23. The Tuskegee Institute Singers 24. The Right Quintette PART FIVE: Black Recording Artists, 1916-19 25. Wilbur C. Sweatman: Disrespecting Wilbur 26. Opal D. Cooper 27. Noble Sissle and Eubie Blake 28. Ford T. Dabney: Syncopation over Broadway 29. W. C. Handy 30. Roland Hayes 31. The Four Harmony Kings 32. Broome Special Phonograph Records 33. Edward H. Boatner 34. Harry T. Burleigh 35. Florence Cole-Talbert 36. R. Nathaniel Dett 37. Clarence Cameron White PART SIX: Other Early Recordings 38. Miscellaneous Recordings Appendix: Caribbean and South American Recordings Notes Select CD Discography Bibliography Index
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