This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Introduction Chapter One Louis Armstrong: Exuberant Jazz Legend & Complex Cultural Diplomat Chapter Two Duke Ellington: Elegant US Jazz Exceptionalist Symbol & Regal Transnational Hetero-Sexual Chapter Three Miles Davis: Jazz Blues Rock Funk & Hip Hop Border Crosser Conclusion
Introduction Chapter One Louis Armstrong: Exuberant Jazz Legend & Complex Cultural Diplomat Chapter Two Duke Ellington: Elegant US Jazz Exceptionalist Symbol & Regal Transnational Hetero-Sexual Chapter Three Miles Davis: Jazz Blues Rock Funk & Hip Hop Border Crosser Conclusion
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