In Louis Armstrong's Hot Five and Hot Seven Recordings, Brian Harker strikes a unique balance between 1920s views of jazz and those of today. For the first time Armstrong's technical achievements are placed in a meaningful cultural context, yielding unexpected insights into these seminal documents of early jazz.
In Louis Armstrong's Hot Five and Hot Seven Recordings, Brian Harker strikes a unique balance between 1920s views of jazz and those of today. For the first time Armstrong's technical achievements are placed in a meaningful cultural context, yielding unexpected insights into these seminal documents of early jazz.
Brian Harker is Professor of Music at Brigham Young University. The author of Jazz: An American Journey, Harker is a two-time winner of the Irving Lowens Award for his scholarship on Louis Armstrong. He lives in Orem, Utah, with this wife and two children.
Inhaltsangabe
* 123456: AcknowledgmentsIntroductionNovelty: "Cornet Chop Suey" (26 February 1926)Telling a Story: "Big Butter and Egg Man" (16 November 1926)Playing the Changes: "Potato Head Blues" (10 May 1927)Top Notes: "S.O.L. Blues"/"Gully Low Blues" (13-14 May 1927)Pretty Things: "Savoy Blues" (13 December 1927)Versatility: "West End Blues" (28 June 1928)EpilogueBibliographyIndex
* 123456: AcknowledgmentsIntroductionNovelty: "Cornet Chop Suey" (26 February 1926)Telling a Story: "Big Butter and Egg Man" (16 November 1926)Playing the Changes: "Potato Head Blues" (10 May 1927)Top Notes: "S.O.L. Blues"/"Gully Low Blues" (13-14 May 1927)Pretty Things: "Savoy Blues" (13 December 1927)Versatility: "West End Blues" (28 June 1928)EpilogueBibliographyIndex
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