Love Across the Atlantic
Us-UK Romance in Popular Culture
Herausgeber: Brickman, Barbara Jane; Trost, Theodore Louis; Jermyn, Deborah
Love Across the Atlantic
Us-UK Romance in Popular Culture
Herausgeber: Brickman, Barbara Jane; Trost, Theodore Louis; Jermyn, Deborah
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From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture.
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From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Edinburgh University Press
- Seitenzahl: 312
- Erscheinungstermin: 28. Februar 2020
- Englisch
- Abmessung: 234mm x 155mm x 23mm
- Gewicht: 612g
- ISBN-13: 9781474452076
- ISBN-10: 1474452078
- Artikelnr.: 57117812
- Verlag: Edinburgh University Press
- Seitenzahl: 312
- Erscheinungstermin: 28. Februar 2020
- Englisch
- Abmessung: 234mm x 155mm x 23mm
- Gewicht: 612g
- ISBN-13: 9781474452076
- ISBN-10: 1474452078
- Artikelnr.: 57117812
Barbara Jane Brickman is Associate Professor of Media and Gender Studies at the University of Alabama. Her work has appeared in Camera Obscura, The Journal of Film and Video, and Journal of Popular Music Studies. Since the publication of her first book, New American Teenagers: The Lost Generation of Youth in 1970s Film, she has written a volume on the film Grease for the Cinema and Youth Cultures series. She is also the founder and director of the Druid City Girls Media Camp in Tuscaloosa, AL. Deborah Jermyn is Reader in Film & TV at the University of Roehampton, where she is Co-Director of the Centre for Research in Film and Audiovisual Cultures. She is author and editor of 11 books, including Nancy Meyers (2017) and (with Stacey Abbott) Falling in Love Again: Romantic Comedy in Contemporary Cinema (2009). She continues to work on gender, genre, and Hollywood, with a particular interest in ageing femininities. Theodore Louis Trost holds a joint appointment in the New College and the Department of Religious Studies at the University of Alabama, where he teaches courses in religion and popular culture, the Gospel of Mark, and songwriting. He received his doctorate from Harvard University in American religious history. He also worked for nine years as a flight attendant with the now-defunct Pan American World Airways.
Acknowledgements; List of Illustrations; List of Contributors; INTRODUCTION: Still crazy after all these years?: The 'special relationship' in popular media; PART ONE: '[Not] just a girl
standing in front of a boy...': Feminism
women and transatlantic romance; 1: 'Atlantic Liners
It Girls and Old Europe in Elinor Glyn's Romantic Adventures'
Karen Randell and Alexis Weedon; 2: 'World Turned Upside Down: The Role of Revolutions in Maya Rodale's Regency-Set'
Veera Mäkelä; 3: 'Bridget Jones's Special Relationship: No Filth
Please
We're Brexiteers'
William Brown; 4: 'Sharon Horgan
postfeminism and the transatlantic psycho-politics of "woemantic" comedy'
Caroline Bainbridge; PART TWO: Love beyond borders: The global city
cosmopolitanism and transatlantic space; 5: '"British people are awful": Gentrification
queerness and race in the US-UK romances of Looking and You're the Worst'
Martha Shearerl; 6: 'Catastrophe: Transatlantic Love in East London'
Frances Smith'; 7: 'On the Fragility of Love Across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus's Like Crazy (2011)'
Manuela Ruiz; 8: 'The mise-en-scène of romance and transatlantic desire: exploring genre
space and place in Nancy Meyers's The Parent Trap and The Holiday'
Deborah Jermyn; PART THREE: Two lovers divided by a common language: 'British-ness'
'American-ness' and identity; 9: '"American
a slut
and out of your league": Working Title's equivocal relationship with Americanness'
Jay Bamber; 10: '"It's the American Dream": British audiences and the contemporary Hollywood rom-com'
Alice Guilluy; 11: 'Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series'
Inmaculada Pérez-Casal; 12: 'Imagine: The Beatles
John Lennon
and love across borders'
Theodore Louis Trost; PART FOUR: Political coupledom: Flirting with the special relationship; 13: '"Political Soulmates": the "Special Relationship" of Reagan and Thatcher
and the Powerful Chemistry of Celebrity Coupledom'
Shelley Cobb; 14: '"I Will Be with You
Whatever": Blair and Bush's Baghdadi Bromance'
Hannah Hamad; 15: 'Holding hands as the ship sinks: Trump and May's special relationship'
Neil Ewen; 16: '"Harry has gone over to the dark side": Race
Royalty and US-UK Romance in Brexit Britain'
Nathalie Weidhase
standing in front of a boy...': Feminism
women and transatlantic romance; 1: 'Atlantic Liners
It Girls and Old Europe in Elinor Glyn's Romantic Adventures'
Karen Randell and Alexis Weedon; 2: 'World Turned Upside Down: The Role of Revolutions in Maya Rodale's Regency-Set'
Veera Mäkelä; 3: 'Bridget Jones's Special Relationship: No Filth
Please
We're Brexiteers'
William Brown; 4: 'Sharon Horgan
postfeminism and the transatlantic psycho-politics of "woemantic" comedy'
Caroline Bainbridge; PART TWO: Love beyond borders: The global city
cosmopolitanism and transatlantic space; 5: '"British people are awful": Gentrification
queerness and race in the US-UK romances of Looking and You're the Worst'
Martha Shearerl; 6: 'Catastrophe: Transatlantic Love in East London'
Frances Smith'; 7: 'On the Fragility of Love Across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus's Like Crazy (2011)'
Manuela Ruiz; 8: 'The mise-en-scène of romance and transatlantic desire: exploring genre
space and place in Nancy Meyers's The Parent Trap and The Holiday'
Deborah Jermyn; PART THREE: Two lovers divided by a common language: 'British-ness'
'American-ness' and identity; 9: '"American
a slut
and out of your league": Working Title's equivocal relationship with Americanness'
Jay Bamber; 10: '"It's the American Dream": British audiences and the contemporary Hollywood rom-com'
Alice Guilluy; 11: 'Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series'
Inmaculada Pérez-Casal; 12: 'Imagine: The Beatles
John Lennon
and love across borders'
Theodore Louis Trost; PART FOUR: Political coupledom: Flirting with the special relationship; 13: '"Political Soulmates": the "Special Relationship" of Reagan and Thatcher
and the Powerful Chemistry of Celebrity Coupledom'
Shelley Cobb; 14: '"I Will Be with You
Whatever": Blair and Bush's Baghdadi Bromance'
Hannah Hamad; 15: 'Holding hands as the ship sinks: Trump and May's special relationship'
Neil Ewen; 16: '"Harry has gone over to the dark side": Race
Royalty and US-UK Romance in Brexit Britain'
Nathalie Weidhase
Acknowledgements; List of Illustrations; List of Contributors; INTRODUCTION: Still crazy after all these years?: The 'special relationship' in popular media; PART ONE: '[Not] just a girl
standing in front of a boy...': Feminism
women and transatlantic romance; 1: 'Atlantic Liners
It Girls and Old Europe in Elinor Glyn's Romantic Adventures'
Karen Randell and Alexis Weedon; 2: 'World Turned Upside Down: The Role of Revolutions in Maya Rodale's Regency-Set'
Veera Mäkelä; 3: 'Bridget Jones's Special Relationship: No Filth
Please
We're Brexiteers'
William Brown; 4: 'Sharon Horgan
postfeminism and the transatlantic psycho-politics of "woemantic" comedy'
Caroline Bainbridge; PART TWO: Love beyond borders: The global city
cosmopolitanism and transatlantic space; 5: '"British people are awful": Gentrification
queerness and race in the US-UK romances of Looking and You're the Worst'
Martha Shearerl; 6: 'Catastrophe: Transatlantic Love in East London'
Frances Smith'; 7: 'On the Fragility of Love Across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus's Like Crazy (2011)'
Manuela Ruiz; 8: 'The mise-en-scène of romance and transatlantic desire: exploring genre
space and place in Nancy Meyers's The Parent Trap and The Holiday'
Deborah Jermyn; PART THREE: Two lovers divided by a common language: 'British-ness'
'American-ness' and identity; 9: '"American
a slut
and out of your league": Working Title's equivocal relationship with Americanness'
Jay Bamber; 10: '"It's the American Dream": British audiences and the contemporary Hollywood rom-com'
Alice Guilluy; 11: 'Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series'
Inmaculada Pérez-Casal; 12: 'Imagine: The Beatles
John Lennon
and love across borders'
Theodore Louis Trost; PART FOUR: Political coupledom: Flirting with the special relationship; 13: '"Political Soulmates": the "Special Relationship" of Reagan and Thatcher
and the Powerful Chemistry of Celebrity Coupledom'
Shelley Cobb; 14: '"I Will Be with You
Whatever": Blair and Bush's Baghdadi Bromance'
Hannah Hamad; 15: 'Holding hands as the ship sinks: Trump and May's special relationship'
Neil Ewen; 16: '"Harry has gone over to the dark side": Race
Royalty and US-UK Romance in Brexit Britain'
Nathalie Weidhase
standing in front of a boy...': Feminism
women and transatlantic romance; 1: 'Atlantic Liners
It Girls and Old Europe in Elinor Glyn's Romantic Adventures'
Karen Randell and Alexis Weedon; 2: 'World Turned Upside Down: The Role of Revolutions in Maya Rodale's Regency-Set'
Veera Mäkelä; 3: 'Bridget Jones's Special Relationship: No Filth
Please
We're Brexiteers'
William Brown; 4: 'Sharon Horgan
postfeminism and the transatlantic psycho-politics of "woemantic" comedy'
Caroline Bainbridge; PART TWO: Love beyond borders: The global city
cosmopolitanism and transatlantic space; 5: '"British people are awful": Gentrification
queerness and race in the US-UK romances of Looking and You're the Worst'
Martha Shearerl; 6: 'Catastrophe: Transatlantic Love in East London'
Frances Smith'; 7: 'On the Fragility of Love Across the Atlantic: Cosmopolitanism and Transatlantic Romance in Drake Doremus's Like Crazy (2011)'
Manuela Ruiz; 8: 'The mise-en-scène of romance and transatlantic desire: exploring genre
space and place in Nancy Meyers's The Parent Trap and The Holiday'
Deborah Jermyn; PART THREE: Two lovers divided by a common language: 'British-ness'
'American-ness' and identity; 9: '"American
a slut
and out of your league": Working Title's equivocal relationship with Americanness'
Jay Bamber; 10: '"It's the American Dream": British audiences and the contemporary Hollywood rom-com'
Alice Guilluy; 11: 'Business-like Lords and Gentlemanly Businessmen: The Romance Hero in Lisa Kleypas's Wallflowers Series'
Inmaculada Pérez-Casal; 12: 'Imagine: The Beatles
John Lennon
and love across borders'
Theodore Louis Trost; PART FOUR: Political coupledom: Flirting with the special relationship; 13: '"Political Soulmates": the "Special Relationship" of Reagan and Thatcher
and the Powerful Chemistry of Celebrity Coupledom'
Shelley Cobb; 14: '"I Will Be with You
Whatever": Blair and Bush's Baghdadi Bromance'
Hannah Hamad; 15: 'Holding hands as the ship sinks: Trump and May's special relationship'
Neil Ewen; 16: '"Harry has gone over to the dark side": Race
Royalty and US-UK Romance in Brexit Britain'
Nathalie Weidhase