A retrospective article on Leslie Fiedler in the New York Times Book Review in 1965 referred to Love and Death in the American Novel as “one of the great, essential books on the American imagination . . . an accepted major work.” This groundbreaking work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler’s once scandalous—now increasingly accepted—judgment that our literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.
A retrospective article on Leslie Fiedler in the New York Times Book Review in 1965 referred to Love and Death in the American Novel as “one of the great, essential books on the American imagination . . . an accepted major work.” This groundbreaking work views in depth both American literature and character from the time of the American Revolution to the present. From it, there emerges Fiedler’s once scandalous—now increasingly accepted—judgment that our literature is incapable of dealing with adult sexuality and is pathologically obsessed with death.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Leslie A. Fiedler (1917-2003) was a highly influential critic of American literature and culture. He held academic appointments at the University of Montana and later at the University of Buffalo. His books include The Last Jew in America, Waiting for the End, No! in Thunder, An End to Innocence, Freaks, and most recently, Tyranny of the Normal.
Inhaltsangabe
Preface to the Second Edition Preface to the First Edition PART ONE: PROTOTYPES AND EARLY ADAPTATIONS 1. The Novel and America 2. The Novel’s Audience and the Sentimental Love Religion 3. Richardson and the Tragedy of Seduction 4. The Bourgeois Sentimental Novel and the Female Audience 5. The Beginnings of the Anti-Bourgeois Sentimental Novel in America 6. Charles Brockden Brown and the Invention of the American Gothic 7. James Fenimore Cooper and the Historical Romance PART TWO: ACHIEVEMENT AND FRUSTRATION 8. Clarissa in America: Toward Marjorie Morningstar 9. Good Good Girls and Good Bad Boys: Clarissa as a Juvenile 10. The Revenge on Woman: From Lucy to Lolita 11. The Failure of Sentiment and the Evasion of Love 12. The Blackness of Darkness: Edgar Allan Poe and the Development of the Gothic 13. The Power of Blackness: Faustian Man and the Cult of Violence Index
Preface to the Second Edition Preface to the First Edition PART ONE: PROTOTYPES AND EARLY ADAPTATIONS 1. The Novel and America 2. The Novel’s Audience and the Sentimental Love Religion 3. Richardson and the Tragedy of Seduction 4. The Bourgeois Sentimental Novel and the Female Audience 5. The Beginnings of the Anti-Bourgeois Sentimental Novel in America 6. Charles Brockden Brown and the Invention of the American Gothic 7. James Fenimore Cooper and the Historical Romance PART TWO: ACHIEVEMENT AND FRUSTRATION 8. Clarissa in America: Toward Marjorie Morningstar 9. Good Good Girls and Good Bad Boys: Clarissa as a Juvenile 10. The Revenge on Woman: From Lucy to Lolita 11. The Failure of Sentiment and the Evasion of Love 12. The Blackness of Darkness: Edgar Allan Poe and the Development of the Gothic 13. The Power of Blackness: Faustian Man and the Cult of Violence Index
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