Based on conversations with directors and actors who knew her, this book is a study of the British post-war dramatist, Sarah Kane. It covers all her major plays and productions, as well as unpublished material and reviews, and looks at her continuing influence after her tragic early death.
Based on conversations with directors and actors who knew her, this book is a study of the British post-war dramatist, Sarah Kane. It covers all her major plays and productions, as well as unpublished material and reviews, and looks at her continuing influence after her tragic early death.
Graham Saunders is a lecturer in Theatre Studies at the University of the West of England
Inhaltsangabe
Introduction 1. 'This disgusting feast of filth': Blasted 2. 'If there could have been more moments like these': Phaedra's Love 3. 'This sensible hell': Cleansed 4. 'Only love can save me and love has destroyed me': Crave 5. 'Remember the light and believe in the light': 4.48 Psychosis 6. Converstation with James Macdonald 7. Conversation with Vicky Featherstone 8. Converstation with Nils Tabert 9. Conversation with Mel Kenyon 10. Conversation with Phyllis Nagy 11. Conversation with Kate Ashfield 12. Conversation with Daniel Evans 13. Conversation with Stuart McQuarrie 14. Edward Bond: Sarah Kane and theatre Select Bibliography Index
Introduction 1. 'This disgusting feast of filth': Blasted 2. 'If there could have been more moments like these': Phaedra's Love 3. 'This sensible hell': Cleansed 4. 'Only love can save me and love has destroyed me': Crave 5. 'Remember the light and believe in the light': 4.48 Psychosis 6. Converstation with James Macdonald 7. Conversation with Vicky Featherstone 8. Converstation with Nils Tabert 9. Conversation with Mel Kenyon 10. Conversation with Phyllis Nagy 11. Conversation with Kate Ashfield 12. Conversation with Daniel Evans 13. Conversation with Stuart McQuarrie 14. Edward Bond: Sarah Kane and theatre Select Bibliography Index
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