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Vazsonyi shows Lukacs's evolving view of Goethe, examining how in the 1930's he was able to write enthusiastically about the poet, citing him as an ideal exponent of humanism, while simultaneously accepting and even condoning Stalinism.

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Vazsonyi shows Lukacs's evolving view of Goethe, examining how in the 1930's he was able to write enthusiastically about the poet, citing him as an ideal exponent of humanism, while simultaneously accepting and even condoning Stalinism.
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