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Having trained with modern masters from the late 1940s to mid-1950s, Lygia Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil. This title examines Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career.

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Produktbeschreibung
Having trained with modern masters from the late 1940s to mid-1950s, Lygia Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil. This title examines Clarks output from her early abstract compositions to the biological architectures and relational objects she created late in her career.
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Autorenporträt
Cornelia Butler is Chief Curator at the Hammer Museum in Los Angeles. Luis Perez-Oramas is the Estrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints at The Museum of Modern Art. Sergio Bessa is the director of curatorial and education programs at the Bronx Museum, and a teacher of Museum Education at Columbia University. Eleonora Fabiao is a performer/performance theorist and Associate Professor at the Federal University of Rio de Janeiro. Briony Fer is a British art historian, curator and Professor of History of Art at University College London. Geaninne Gutiérrez-Guimarães has curated for the Museum of Modern Art and the Bertha and Karl Leubsdorf Art Gallery. Andre Lepecki is Associate Professor at the Department of Performance Studies at Tisch School of the Arts at New York University. He is a writer and curator working mainly on performance studies, choreography and dramaturgy. Zeuler Lima is an architect and associate professor of history, theory and design at the School of Design and Visual Arts at Washington University in St. Louis.