"Ardizzone moves with ease between the intricacies of Aristotle's metaphysics and the complexities of Pound's thought. She is a consummate researcher as well, having collected relevant notes, marginalia, and glosses. Her work on Pound in this crucial period will remain definitive for many years to come."--John Freccero, New York University
"Ardizzone moves with ease between the intricacies of Aristotle's metaphysics and the complexities of Pound's thought. She is a consummate researcher as well, having collected relevant notes, marginalia, and glosses. Her work on Pound in this crucial period will remain definitive for many years to come."--John Freccero, New York UniversityHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ezra Pound (1885–1972) is one of the most influential literary figures of the twentieth century. His opinions and literary achievements forcibly shaped the modernist movement. He is the author of many familiar works, including Personae, ABC of Reading, and Cantos. Maria Luisa Ardizzone teaches Italian Literature at New York University and is the author of Ezra Pound e lascienza.
Inhaltsangabe
Acknowledgments ix Abbreviations xiii Introduction 1 Machine Art Machine Art (1927-1930) 57 How to Write How to Write (1930) 87 Addedna (c. 1928-1937) 110 A Problem of (Specifically) Style (1934) 122 Ogden and Debabelization (1935) 126 European Paideuma European Paideuma (1940) 131 Convenit esse Deos (c. 1940-1942) 135 [Catholicism] (c. 1940) 141 The Organum According to Tsze sze (1942) 145 Appendix: Two Letters from Pound to the Frobenius Institute 147 To Douglas C. Fox (1935 and 1937) 147 Letter from Pound to George Santayana (1941) 151 and Santayana's Response 152 Pragmatic Aesthetics Pragmatic Aesthetics of E.P. (c. 1940-1943) 155 A Note on the Texts 161 A Note on the Illustrations 167 Index 171
Acknowledgments ix Abbreviations xiii Introduction 1 Machine Art Machine Art (1927-1930) 57 How to Write How to Write (1930) 87 Addedna (c. 1928-1937) 110 A Problem of (Specifically) Style (1934) 122 Ogden and Debabelization (1935) 126 European Paideuma European Paideuma (1940) 131 Convenit esse Deos (c. 1940-1942) 135 [Catholicism] (c. 1940) 141 The Organum According to Tsze sze (1942) 145 Appendix: Two Letters from Pound to the Frobenius Institute 147 To Douglas C. Fox (1935 and 1937) 147 Letter from Pound to George Santayana (1941) 151 and Santayana's Response 152 Pragmatic Aesthetics Pragmatic Aesthetics of E.P. (c. 1940-1943) 155 A Note on the Texts 161 A Note on the Illustrations 167 Index 171
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