How can the concepts of Deleuze and Guattari be used to unearth the 'metaphysics' of modernist literature? This intersection of philosophy and key literary works uses their radical concepts to draw a dynamic map of modernism that explores the confrontation of each writer with the non-human machine age of the early twentieth-century.
How can the concepts of Deleuze and Guattari be used to unearth the 'metaphysics' of modernist literature? This intersection of philosophy and key literary works uses their radical concepts to draw a dynamic map of modernism that explores the confrontation of each writer with the non-human machine age of the early twentieth-century.
BEA MONACO has lived and researched in three different continents, and gained her PhD from the University of London, UK, where she now teaches.
Inhaltsangabe
Acknowledgements List of Abbreviations Towards a Literary Critical Machine The Spatiotemporality of To the Lighthouse The Visceral-Materiality of The Rainbow Ulysses : The Hyperconscious Machinic Text Ideas and Life in Conflict: Lawrence's Later Works Orlando and The Waves : Machinic Triumph of Form Conclusion Notes Index
Acknowledgements List of Abbreviations Towards a Literary Critical Machine The Spatiotemporality of To the Lighthouse The Visceral-Materiality of The Rainbow Ulysses : The Hyperconscious Machinic Text Ideas and Life in Conflict: Lawrence's Later Works Orlando and The Waves : Machinic Triumph of Form Conclusion Notes Index
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