Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century Irish popular music.
Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century Irish popular music.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Áine Mangaoang is Postdoctoral Research Fellow at the Department of Musicology, University of Oslo. John O'Flynn is Associate Professor of Music at Dublin City University. Lonán Ó Briain is Associate Professor of Music at the University of Nottingham.
Inhaltsangabe
List of Illustrations Series Foreword Acknowledgements Preface Introduction: Popular Music in Ireland: Mapping the Field Part I: Music Industries and Historiographies 1. A History of Irish Record Labels from the 1920s to 2019 2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music 3. Don't Believe A Word?: Memoirs of Irish Rock Musicians 4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor 5. "Missing from the Record": Zrazy and Women's Music in Ireland 6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983) Part 2: Roots and Routes 7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson 8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song 9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta 10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles 11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition 12. "Other Voices" in Media Representations of Irish Popular Music Part 3: Scenes and Networks 13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene 14. Parochial Capital and the Cork Music Scene 15. Death of a Local Scene? Music in Dublin in the Digital Age 16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes 17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy) A Selected Bibliography on Irish Popular Music Notes on Contributors Index
List of Illustrations Series Foreword Acknowledgements Preface Introduction: Popular Music in Ireland: Mapping the Field Part I: Music Industries and Historiographies 1. A History of Irish Record Labels from the 1920s to 2019 2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music 3. Don't Believe A Word?: Memoirs of Irish Rock Musicians 4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor 5. "Missing from the Record": Zrazy and Women's Music in Ireland 6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983) Part 2: Roots and Routes 7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson 8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song 9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta 10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles 11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition 12. "Other Voices" in Media Representations of Irish Popular Music Part 3: Scenes and Networks 13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene 14. Parochial Capital and the Cork Music Scene 15. Death of a Local Scene? Music in Dublin in the Digital Age 16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes 17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy) A Selected Bibliography on Irish Popular Music Notes on Contributors Index
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