Made in Ireland
Studies in Popular Music
Herausgeber: Mangaoang, Áine; Ó Briain, Lonán; O'Flynn, John
Made in Ireland
Studies in Popular Music
Herausgeber: Mangaoang, Áine; Ó Briain, Lonán; O'Flynn, John
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Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century Irish popular music.
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Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth and twenty-first century Irish popular music.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 296
- Erscheinungstermin: 13. Oktober 2020
- Englisch
- Abmessung: 246mm x 174mm x 16mm
- Gewicht: 494g
- ISBN-13: 9781138336032
- ISBN-10: 1138336033
- Artikelnr.: 60014002
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 296
- Erscheinungstermin: 13. Oktober 2020
- Englisch
- Abmessung: 246mm x 174mm x 16mm
- Gewicht: 494g
- ISBN-13: 9781138336032
- ISBN-10: 1138336033
- Artikelnr.: 60014002
Áine Mangaoang is Postdoctoral Research Fellow at the Department of Musicology, University of Oslo. John O'Flynn is Associate Professor of Music at Dublin City University. Lonán Ó Briain is Associate Professor of Music at the University of Nottingham.
List of Illustrations
Series Foreword
Acknowledgements
Preface
Introduction: Popular Music in Ireland: Mapping the Field
Part I: Music Industries and Historiographies
1. A History of Irish Record Labels from the 1920s to 2019
2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music
3. Don't Believe A Word?: Memoirs of Irish Rock Musicians
4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor
5. "Missing from the Record": Zrazy and Women's Music in Ireland
6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983)
Part 2: Roots and Routes
7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson
8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song
9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta
10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles
11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition
12. "Other Voices" in Media Representations of Irish Popular Music
Part 3: Scenes and Networks
13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene
14. Parochial Capital and the Cork Music Scene
15. Death of a Local Scene? Music in Dublin in the Digital Age
16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap
Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn
Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy)
A Selected Bibliography on Irish Popular Music
Notes on Contributors
Index
Series Foreword
Acknowledgements
Preface
Introduction: Popular Music in Ireland: Mapping the Field
Part I: Music Industries and Historiographies
1. A History of Irish Record Labels from the 1920s to 2019
2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music
3. Don't Believe A Word?: Memoirs of Irish Rock Musicians
4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor
5. "Missing from the Record": Zrazy and Women's Music in Ireland
6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983)
Part 2: Roots and Routes
7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson
8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song
9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta
10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles
11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition
12. "Other Voices" in Media Representations of Irish Popular Music
Part 3: Scenes and Networks
13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene
14. Parochial Capital and the Cork Music Scene
15. Death of a Local Scene? Music in Dublin in the Digital Age
16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap
Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn
Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy)
A Selected Bibliography on Irish Popular Music
Notes on Contributors
Index
List of Illustrations
Series Foreword
Acknowledgements
Preface
Introduction: Popular Music in Ireland: Mapping the Field
Part I: Music Industries and Historiographies
1. A History of Irish Record Labels from the 1920s to 2019
2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music
3. Don't Believe A Word?: Memoirs of Irish Rock Musicians
4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor
5. "Missing from the Record": Zrazy and Women's Music in Ireland
6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983)
Part 2: Roots and Routes
7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson
8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song
9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta
10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles
11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition
12. "Other Voices" in Media Representations of Irish Popular Music
Part 3: Scenes and Networks
13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene
14. Parochial Capital and the Cork Music Scene
15. Death of a Local Scene? Music in Dublin in the Digital Age
16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap
Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn
Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy)
A Selected Bibliography on Irish Popular Music
Notes on Contributors
Index
Series Foreword
Acknowledgements
Preface
Introduction: Popular Music in Ireland: Mapping the Field
Part I: Music Industries and Historiographies
1. A History of Irish Record Labels from the 1920s to 2019
2. Broadcasting Rock: The Fanning Sessions as a Gateway to New Music
3. Don't Believe A Word?: Memoirs of Irish Rock Musicians
4. Raging Mother Ireland: Faith, Fury and Feminism in the Body, Voice and Songs of Sinéad O'Connor
5. "Missing from the Record": Zrazy and Women's Music in Ireland
6. "Alternative Ulster": The First Wave of Punk in Northern Ireland (1976-1983)
Part 2: Roots and Routes
7. Irish Lady Sings the Blues: History, Identity and Ottilie Patterson
8. The Politics of Sound: Modernity and Post-Colonial Identity in Irish-language Popular Song
9. Communal Voices: The Songs of Tom a'tSeoighe and Ciarán Ó Fátharta
10. Popular Music as a Weapon: Irish Rebel Songs and the Onset of the Northern Ireland Troubles
11. "...Practically Rock Stars Now": Changing Relations Between Traditional and Popular Music in a Post-Revival Tradition
12. "Other Voices" in Media Representations of Irish Popular Music
Part 3: Scenes and Networks
13. Assembling the Underground: Scale, Value and Visibility in Dublin's DIY Music Scene
14. Parochial Capital and the Cork Music Scene
15. Death of a Local Scene? Music in Dublin in the Digital Age
16. Fit for Consumption?: Fanzines and Fan Communication in Irish DIY Music Scenes
17. Hip Hop Interpellation: Rethinking Autochthony and Appropriation in Irish Rap
Coda 18. Making Spaces, Saving Places: Modern Irish Popular Music and the Green Turn
Afterword 19. Songs of Love: A conversation with Neil Hannon (The Divine Comedy)
A Selected Bibliography on Irish Popular Music
Notes on Contributors
Index