Marisol Negrà n tells the cultural history of salsa over a fifty-year period that begins in 1964, showing how salsa became embedded in Nuyorican identity among New York Cityâ s poor and working-class diasporic Puerto Rican population.
Marisol Negrà n tells the cultural history of salsa over a fifty-year period that begins in 1964, showing how salsa became embedded in Nuyorican identity among New York Cityâ s poor and working-class diasporic Puerto Rican population.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marisol Negrón is Associate Professor of American Studies and Latino Studies at the University of Massachusetts Boston.
Inhaltsangabe
List of Illustrations ix Acknowledgments xi Introduction. Rican/Struction: The Social Life of Salsa 1 Part I: Anatomy of a Salsa Boom, 1964–1979 1. Our Latin Thing: Salsa’s NuYoRican Histories 29 2. “Los Malotes de la Salsa”: Salsa Dons and the Performance of Subjecthood 70 3. Salsa’s Dirty Secret: Liberated Women, Hairy Hippies, and the End of the World 112 Part II: After the Boom is Gone, 1980–2000s 4. Puerto Rico’s (Un)Freedom: The Soundscape of Nation Branding 139 5. Entre la Letra y la Nota: Becoming “El Cantante de los Cantantes” 178 6. (Copy)Rights and Wrongs: “El Cantante” and the Legislation of Creative Labor 213 Notes 245 Sources 283 Index 315
List of Illustrations ix Acknowledgments xi Introduction. Rican/Struction: The Social Life of Salsa 1 Part I: Anatomy of a Salsa Boom, 1964–1979 1. Our Latin Thing: Salsa’s NuYoRican Histories 29 2. “Los Malotes de la Salsa”: Salsa Dons and the Performance of Subjecthood 70 3. Salsa’s Dirty Secret: Liberated Women, Hairy Hippies, and the End of the World 112 Part II: After the Boom is Gone, 1980–2000s 4. Puerto Rico’s (Un)Freedom: The Soundscape of Nation Branding 139 5. Entre la Letra y la Nota: Becoming “El Cantante de los Cantantes” 178 6. (Copy)Rights and Wrongs: “El Cantante” and the Legislation of Creative Labor 213 Notes 245 Sources 283 Index 315
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