Made in Puerto Rico

Studies in Popular Music
Herausgeber: Montes-Pizarro, Errol L.; Ruiz-Caraballo, Noraliz; Allende-Goitia, Noel; Bofill-Calero, Jaime O.; Viera-Vargas, Hugo R.

• Broschiertes Buch

Produktbeschreibung

Made in Puerto Rico: Studies in Popular Music serves as a comprehensive introduction to the history, culture, and musicology of twentieth and twenty-first century popular music in Puerto Rico.

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Produktdetails

• Routledge Global Popular Music Series
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 206
• Erscheinungstermin: 1. Oktober 2024
• Englisch
• Abmessung: 244mm x 175mm x 18mm
• Gewicht: 424g
• ISBN-13: 9781032157955
• ISBN-10: 103215795X
• Artikelnr.: 70370875

Autorenporträt

Hugo R. Viera-Vargas is Professor at the Universidad Albizu, San Juan, Puerto Rico, and Associate Researcher at Colectivo de Estudios Musicales de Puerto Rico. Noraliz Ruiz-Caraballo is Associate Researcher at Colectivo de Estudios Musicales de Puerto Rico, and Musical Director for Orquesta Jíbara Dr. Francisco López Cruz, Puerto Rico. Errol L. Montes-Pizarro is Professor of Mathematics at the Universidad de Puerto Rico, Recinto de Cayey, and Associate Researcher at Colectivo de Estudios Musicales de Puerto Rico. Jaime O. Bofill-Calero is Associate Professor of Ethnomusicology at Conservatorio de Música de Puerto Rico, and Associate Researcher at Colectivo de Estudios Musicales de Puerto Rico. Noel Allende-Goitía is Associate Researcher at Colectivo de Estudios Musicales de Puerto Rico, and Lecturer of Comparative History of Music and Research Methodology at Armoniarte Escuela Superior de Educación Artística, México.

Inhaltsangabe

Prologue Introduction: The embodied soundscape of popular music studies in
Puerto Rico PART I: The invention of the popular in Puerto Rican music
Section introduction: The invention of the popular in Puerto Rican music 1
What is popular in Puerto Rican music? Music and musiking as construction
and affirmation of the self 2 Identity debates and symbolic capital:
Cultural policies around traditional Puerto Rican music 3 Revisiting Puerto
Rican Nueva Canción and its discourse of resistance 4 Cuatro music keeps
finding new life: Artists, trends, and contemporary practice 5 Crisis
notwithstanding: Metal in Puerto Rico PART II: Music, memory, and history
Section introduction 6 Puerto Rican Music in the Afro-diasporic world 7
Plenazos callejeros, embodied memory, and contemporary plena in Puerto
Rico, 2005-2012 8 (Re)listening to Gottschalk, Morel Campos, and the
jíbaros: Danza's connection with early jazz 9 Record companies in New York
City's East Harlem during the first half of the 20th century 10 Bomba: A
long invisible practice of Black placemaking in Puerto Rico PART III:
Globalization of the Puerto Rican sound Section introduction 11 De Puerto
Rico Pa'l Mundo: A brief history of Puerto Rico's reggaeton music scene 12
Between romantic idealism and the tough streets: A look at the development
of contemporary salsa in Puerto Rico 13 Made in Puerto Rico, made in
Chicago: Diaspora as a method for thinking about Puerto Rican music-dance
14 Queering Menudo: Forever Young 15 Coda: Interview with composer Angélica
Negrón