Madrigals and Partsongs
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'What more can I say, except More please. Very highly recommended.' Australian Music Teacher This book contains 59 of the finest examples of the secular choral repertoire, ranging from the late 15th to the 20th century and spanning all the major European countries. All the pre-twentieth-century pieces are in completely new editions going back to the earliest and most reliable sources. Includes English translations and playable keyboard reductions. Some items from this volume are available separately in the Oxford Choral Classics Octavo series.

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Produktbeschreibung
'What more can I say, except More please. Very highly recommended.' Australian Music Teacher
This book contains 59 of the finest examples of the secular choral repertoire, ranging from the late 15th to the 20th century and spanning all the major European countries. All the pre-twentieth-century pieces are in completely new editions going back to the earliest and most reliable sources. Includes English translations and playable keyboard reductions.
Some items from this volume are available separately in the Oxford Choral Classics Octavo series.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
John Rutter studied music at Clare College, Cambridge and first came to notice as a composer and arranger of Christmas carols and other choral pieces during those early years; today his compositions, including such concert-length works as Requiem, Magnificat, Mass of the Children, The Gift of Life, and Visions are performed around the world. John edits the Oxford Choral Classics series, and, with Sir David Willcocks, co-edited four volumes of Carols for Choirs. In 1983 he formed his own choir The Cambridge Singers, with whom he has made numerous recordings on the Collegium Records label, and he appears regularly in several countries as a guest conductor and choral ambassador. John holds a Lambeth Doctorate in Music, and was awarded a CBE for services to music in 2007.
Rezensionen
OUP goes from strength to strength with its Choral Classics catalogue. With a huge repertoire, ranging from the fifteenth to the twentieth centuries from which to choose, Clifford Bartlett has clearly spent a great deal of time and effort, not only in selecting what to include, but also what to exclude . . . All of this in one volume, bound and presented in the excellent format which we have come to know and expect from OUP. What more can I say, except "More please". Very highly recommended. Henry Howell, Australian Music Teacher, September 2003