The essays gathered in this book discuss transnational networks as well as cross-cultural exchanges in the context of the modern magazine print culture in Brazil (1820s to 1950s).
The essays gathered in this book discuss transnational networks as well as cross-cultural exchanges in the context of the modern magazine print culture in Brazil (1820s to 1950s).Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Felipe Botelho Correa is Associate Professor in the Faculty of Arts & Humanities, King's College London. Valéria Guimarães is Associate Professor in the Department of History of the São Paulo State University. Monica Pimenta Velloso is Senior Research Fellow at the Casa de Rui Barbosa Foundation.
Inhaltsangabe
Table of figures; List of authors; Introduction; The French periodical print culture in Brazil: A survey of catalogues and mediators (1800-1945) by Valéria dos Santos Guimarães; The transnational model of popular illustrated magazines: Three case studies from Brazil (1900-1920) by Felipe Botelho Correa; The transnational networks of the modernist periodical print culture: The magazine lumière in the aftermath of WWI by Monica Pimenta Velloso; Versions of modernity in the household magazine A Casa (1923-45) by Marize Malta; Panorama magazine and the far-right in Brazil (1936-1937) by Matheus Cardoso da Silva & Renato Alencar Dotta; Against Nazi-fascism in Brazil: The case of the magazine Diretrizes (1938-44) by Joëlle Rouchou; Literary inquiries and disputes on global modernism: The debate in Brazil during WWII by Tania Regina de Luca; Modernity and modernisms in the magazine Sombra (1940-1960) by Cláudia de Oliveira; Index.
Table of figures; List of authors; Introduction; The French periodical print culture in Brazil: A survey of catalogues and mediators (1800-1945) by Valéria dos Santos Guimarães; The transnational model of popular illustrated magazines: Three case studies from Brazil (1900-1920) by Felipe Botelho Correa; The transnational networks of the modernist periodical print culture: The magazine lumière in the aftermath of WWI by Monica Pimenta Velloso; Versions of modernity in the household magazine A Casa (1923-45) by Marize Malta; Panorama magazine and the far-right in Brazil (1936-1937) by Matheus Cardoso da Silva & Renato Alencar Dotta; Against Nazi-fascism in Brazil: The case of the magazine Diretrizes (1938-44) by Joëlle Rouchou; Literary inquiries and disputes on global modernism: The debate in Brazil during WWII by Tania Regina de Luca; Modernity and modernisms in the magazine Sombra (1940-1960) by Cláudia de Oliveira; Index.
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