The first comprehensive history of the Reformation origins and flourishing of Lutheran baroque; while the Protestant reform movements are generally associated with iconoclasm, this book studies art, religion, and politics to show that in Lutheran Germany a rich visual culture developed, despite theologians' ambivalent attitude towards images.
The first comprehensive history of the Reformation origins and flourishing of Lutheran baroque; while the Protestant reform movements are generally associated with iconoclasm, this book studies art, religion, and politics to show that in Lutheran Germany a rich visual culture developed, despite theologians' ambivalent attitude towards images.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Bridget Heal studied at the universities of Cambridge and London. Since 2002 she has taught at the University of St Andrews, where she is currently director of the Reformation Studies Institute. In 2010-2011 she held a visiting fellowship from the Alexander von Humboldt Foundation at the Freie Universität in Berlin. Her research focuses on the religious, social, and cultural history of early modern Germany. Her publications include The Cult of the Virgin Mary in Early Modern Germany: Protestant and Catholic Piety, 1500-1648 (2007).
Inhaltsangabe
* Introduction * 1: The Reformation Legacy: Images in Luther's Wittenberg * PART I: The Confessional Image * 2: Between Catholic Idolatry and Calvinist Iconoclasm: Images and Confessional Identity in the Sixteenth Century * 3: The Desire for Images: Lutheran Identity in Electoral Saxony and Brandenburg * PART II: The Devotional Image * 4: Image, Instruction, and Emotion: Visual Piety during the Seventeenth Century * 5: Lutherans and the Suffering of Christ * 6: Visual Commemoration * PART III: The Magnificent Image * 7: The Visual Culture of a Lutheran Court: Dresden, 1650-1700 * 8: Protestant Aesthetics beyond the Court * 9: Art and Identity after the 'Confessional Age' * Conclusion
* Introduction * 1: The Reformation Legacy: Images in Luther's Wittenberg * PART I: The Confessional Image * 2: Between Catholic Idolatry and Calvinist Iconoclasm: Images and Confessional Identity in the Sixteenth Century * 3: The Desire for Images: Lutheran Identity in Electoral Saxony and Brandenburg * PART II: The Devotional Image * 4: Image, Instruction, and Emotion: Visual Piety during the Seventeenth Century * 5: Lutherans and the Suffering of Christ * 6: Visual Commemoration * PART III: The Magnificent Image * 7: The Visual Culture of a Lutheran Court: Dresden, 1650-1700 * 8: Protestant Aesthetics beyond the Court * 9: Art and Identity after the 'Confessional Age' * Conclusion
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