32,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 6-10 Tagen
  • Broschiertes Buch

From the late 1970 s Lindberg has used different and even contradictory techniques and technical resources, as they suited his expressive purposes. Serialism, Stockhausen, Donatoni, Allan Forte s [pitch] set class theories, Berio, Stravinsky, Lutoslawski s two part form and French spectral theories are handled into a highly individual unity of style and expression that avoids any sense of post-modern stylistic shifting, seeking for a sort of new classicism. Lately, the style has turned into some post romanticism ( Concerto for orchestra, Sculpture, violin concerto).I will discuss and explain…mehr

Produktbeschreibung
From the late 1970 s Lindberg has used different and even contradictory techniques and technical resources, as they suited his expressive purposes. Serialism, Stockhausen, Donatoni, Allan Forte s [pitch] set class theories, Berio, Stravinsky, Lutoslawski s two part form and French spectral theories are handled into a highly individual unity of style and expression that avoids any sense of post-modern stylistic shifting, seeking for a sort of new classicism. Lately, the style has turned into some post romanticism ( Concerto for orchestra, Sculpture, violin concerto).I will discuss and explain how Lindberg develops a single musical idea into a more extended piece and how these musical identities or characters are transformed at different levels of complexity textural variations- whilst maintaining the vitality and characteristics of their original idea. Finally, I will demonstrate how in Lindberg, timbre, orchestration, register, texture and rhythm activity are related to one single constructive idea which determines the overall structure of the composition: identity and block forms in relation with French spectral theories (harmony).
Autorenporträt
Eneko Vadillo.BMus in composition MMus in composition and composition for the screen London (Royal College of Music). Computer assisted composition IRCAM Paris.Professional Studies New York City (Manhattan School of Music).Fulbright fellowship, Rome Prize (2006).Composition teacher at Royal Conservatoire of Music (Madrid) from 2004 to 2009.