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Examines how Nietzschean ideas influenced the composition of Mahler's first four, so-called Wunderhorn, symphonies.

Produktbeschreibung
Examines how Nietzschean ideas influenced the composition of Mahler's first four, so-called Wunderhorn, symphonies.
Autorenporträt
LEAH BATSTONE is a musicologist working at the intersections of art music, politics, and philosophy in Central and Eastern Europe. She received her PhD in musicology from McGill University and holds a Master's degree in musicology from the University of Oxford