Seth Monahan is Assistant Professor of Music Theory at the Eastman School of Music. He received his Ph.D. from Yale University in 2008 and has since published widely on a range of topics, including the interpretation of Classical and Romantic form, Wagnerian harmony, and the uses of metaphor in analytical writing.
Inhaltsangabe
* Contents * Acknowledgements * On the Accompanying Short Scores * Introduction * Part I * Interpreting Mahler's Sonata Forms * Chapter 1: Sonata Form in Mahler's Narrative Imagination * Chapter 2: Adorno's Novel-Symphony: The Dialectic of Freedom and Determinism * Chapter 3: Issues in Mahlerian Narrative * Part II * Mahler's "Classical" Sonatas * Chapter 4: "A Demonic Haydn": Mahler's Confrontation with Tradition in the First Movement of the Sixth * Chapter 5: "A Play within a Play": Games of Closure and Contingency in the First Movement of the Fourth * Part III * Mahler's "Epic" Sonatas * Chapter 6: "The Objectification of Chaos": Epic Form and Narrative Multiplicity in Part One of the Third * Chapter 7: "Tragedy refuses a nominalist form": "Inescapable" Coherence and the Failure of the Novel-Symphony in the Finale of the Sixth * Works Cited
* Contents * Acknowledgements * On the Accompanying Short Scores * Introduction * Part I * Interpreting Mahler's Sonata Forms * Chapter 1: Sonata Form in Mahler's Narrative Imagination * Chapter 2: Adorno's Novel-Symphony: The Dialectic of Freedom and Determinism * Chapter 3: Issues in Mahlerian Narrative * Part II * Mahler's "Classical" Sonatas * Chapter 4: "A Demonic Haydn": Mahler's Confrontation with Tradition in the First Movement of the Sixth * Chapter 5: "A Play within a Play": Games of Closure and Contingency in the First Movement of the Fourth * Part III * Mahler's "Epic" Sonatas * Chapter 6: "The Objectification of Chaos": Epic Form and Narrative Multiplicity in Part One of the Third * Chapter 7: "Tragedy refuses a nominalist form": "Inescapable" Coherence and the Failure of the Novel-Symphony in the Finale of the Sixth * Works Cited
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