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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, with the lady herself busy at it; a smaller writing table behind him on his left; the door behind him on Lady Britomart's side;…mehr

Produktbeschreibung
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - It is after dinner on a January night, in the library in Lady Britomart Undershaft's house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it [it is vacant at present] would have, on his right, Lady Britomart's writing table, with the lady herself busy at it; a smaller writing table behind him on his left; the door behind him on Lady Britomart's side; and a window with a window seat directly on his left. Near the window is an armchair. Lady Britomart is a woman of fifty or thereabouts, well dressed and yet careless of her dress, well bred and quite reckless of her breeding, well mannered and yet appallingly outspoken and indifferent to the opinion of her interlocutory, amiable and yet perem-ptory, arbitrary, and high-tempered to the last bearable degree, and withal a very typical managing matron of the upper class, treated as a naughty child until she grew into a scolding mother, and finally settling down with plenty of practical ability and worldly experience, limited in the oddest way with domestic and class limitations, conceiving the universe exactly as if it were a large house in Wilton Crescent, though handling her corner of it very effectively on that assumption, and being quite enlightened and liberal as to the books in the library, the pictures on the walls, the music in the portfolios, and the articles in the papers.
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Autorenporträt
George Bernard Shaw (1856-1950) was an Irish playwright, critic, and social reformer known for his sharp wit, satirical commentary, and progressive views. Born in Dublin, Shaw moved to London in his early twenties and became deeply involved in the cultural and intellectual life of the city. "The Apple Cart," written in 1928, is one of Shaw's later plays and is considered a political satire. It explores themes of power, politics, and monarchy in a fictional future Britain. In the play, King Magnus finds himself at odds with his Prime Minister over the monarchy's role in government, leading to a series of witty and thought-provoking debates about democracy, leadership, and the nature of power. Shaw's works often challenged societal norms and conventions, and "The Apple Cart" is no exception, using humor and irony to critique political systems and explore alternative visions for society. As a playwright, Shaw was known for his ability to blend entertainment with intellectual depth, creating memorable characters and engaging dialogue that continue to resonate with audiences today. Beyond his literary achievements, Shaw was a prominent figure in the Fabian Society, a socialist organization advocating for social reform. He used his platform as a writer and public speaker to champion causes such as women's rights, education reform, and economic equality. George Bernard Shaw's legacy as a playwright and thinker is marked by his profound impact on both literature and social discourse. His plays, including "The Apple Cart," remain relevant for their exploration of timeless themes and their enduring relevance to contemporary political and social issues.