Making Art History in Europe After 1945
Herausgeber: Carrillo, Jesus; Mayayo, Patricia; de Haro Garcia, Noemi
Making Art History in Europe After 1945
Herausgeber: Carrillo, Jesus; Mayayo, Patricia; de Haro Garcia, Noemi
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This book analyzes the relationship between art historical discourses, power, and the concept of Europe since 1945 from a critical, de-centered perspective.
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This book analyzes the relationship between art historical discourses, power, and the concept of Europe since 1945 from a critical, de-centered perspective.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Studies in Art Historiography
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 292
- Erscheinungstermin: 29. August 2022
- Englisch
- Abmessung: 245mm x 174mm x 20mm
- Gewicht: 540g
- ISBN-13: 9781032400518
- ISBN-10: 103240051X
- Artikelnr.: 65951930
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Studies in Art Historiography
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 292
- Erscheinungstermin: 29. August 2022
- Englisch
- Abmessung: 245mm x 174mm x 20mm
- Gewicht: 540g
- ISBN-13: 9781032400518
- ISBN-10: 103240051X
- Artikelnr.: 65951930
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Noemi de Haro García is Ramón y Cajal Research Fellow in the Art History Department of the Universidad Autónoma de Madrid. Patricia Mayayo is Senior Lecturer in the Art History Department of the Universidad Autónoma de Madrid. Jesus Carrillo is Senior Lecturer in the Art History Department of the Universidad Autónoma de Madrid.
1. The (Re)Makings of Art History and Europe after 1945 [Noemi de Haro
García, Patricia Mayayo and Jesús Carrillo] Section 1: Europe after the
Rain 2. The Allied Cultural Policies in Germany after 1945: between
"Re-education" and the Politization of the Arts [Morgane Walter] 3.
UNESCO's Color Reproductions Project: Bringing (French) Art to the World
[Rachel Perry] 4. Curatorial Experiments at the National Gallery after the
Second World War. Reframing History and the Pursuit of Aesthetic Experience
[Ana Baeza Ruiz] 5. The Venice Biennale at Its Turning Points: 1948 and the
Aftermath of 1968 [Stefano Collicelli and Vittoria Martini] Section 2:
Re-reading Cold-War Narratives 6. The Museum of Contemporary Art in
Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative
of Yugoslav Modern Art [Jasmina Cubrilo] 7. Artists in Service of the
Masses: The Untold Story of the Yugoslav Socialist Realist Project [Ivana
Hanacek] 8. Simultaneous Equations: Early Cold War Cultural Politics and
the History of Art in Greece [Areti Adamopoulou] 9. Cold War Art
Historiography: Some Observations on an Interdisciplinary Approach through
the Social Sciences, [Nancy Jachec] 10. Something is Happening Here. Spaces
and Figures of Change in Post-War Portugal [Luis Trindade] Section 3: A New
Europe? 11. Art Policies, Identity and Ideology in Spain during the 1980s
[Daniel A. Verdú Schumann] 12. Official Art Becoming Resistance. Adopting
the Discourse of Dissent into Estonian Art History Writings [Kädi
Talvoja]13. Gendering Art and Art History in Poland: A Story of Subversion
[Pawel Leszkowicz] 14. Narrating Dissident Art in Spain: the Case of
Desacuerdos. Sobre Arte, Políticas y Esfera Pública (2003-2005) [Alberto
López Cuenca]
García, Patricia Mayayo and Jesús Carrillo] Section 1: Europe after the
Rain 2. The Allied Cultural Policies in Germany after 1945: between
"Re-education" and the Politization of the Arts [Morgane Walter] 3.
UNESCO's Color Reproductions Project: Bringing (French) Art to the World
[Rachel Perry] 4. Curatorial Experiments at the National Gallery after the
Second World War. Reframing History and the Pursuit of Aesthetic Experience
[Ana Baeza Ruiz] 5. The Venice Biennale at Its Turning Points: 1948 and the
Aftermath of 1968 [Stefano Collicelli and Vittoria Martini] Section 2:
Re-reading Cold-War Narratives 6. The Museum of Contemporary Art in
Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative
of Yugoslav Modern Art [Jasmina Cubrilo] 7. Artists in Service of the
Masses: The Untold Story of the Yugoslav Socialist Realist Project [Ivana
Hanacek] 8. Simultaneous Equations: Early Cold War Cultural Politics and
the History of Art in Greece [Areti Adamopoulou] 9. Cold War Art
Historiography: Some Observations on an Interdisciplinary Approach through
the Social Sciences, [Nancy Jachec] 10. Something is Happening Here. Spaces
and Figures of Change in Post-War Portugal [Luis Trindade] Section 3: A New
Europe? 11. Art Policies, Identity and Ideology in Spain during the 1980s
[Daniel A. Verdú Schumann] 12. Official Art Becoming Resistance. Adopting
the Discourse of Dissent into Estonian Art History Writings [Kädi
Talvoja]13. Gendering Art and Art History in Poland: A Story of Subversion
[Pawel Leszkowicz] 14. Narrating Dissident Art in Spain: the Case of
Desacuerdos. Sobre Arte, Políticas y Esfera Pública (2003-2005) [Alberto
López Cuenca]
1. The (Re)Makings of Art History and Europe after 1945 [Noemi de Haro
García, Patricia Mayayo and Jesús Carrillo] Section 1: Europe after the
Rain 2. The Allied Cultural Policies in Germany after 1945: between
"Re-education" and the Politization of the Arts [Morgane Walter] 3.
UNESCO's Color Reproductions Project: Bringing (French) Art to the World
[Rachel Perry] 4. Curatorial Experiments at the National Gallery after the
Second World War. Reframing History and the Pursuit of Aesthetic Experience
[Ana Baeza Ruiz] 5. The Venice Biennale at Its Turning Points: 1948 and the
Aftermath of 1968 [Stefano Collicelli and Vittoria Martini] Section 2:
Re-reading Cold-War Narratives 6. The Museum of Contemporary Art in
Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative
of Yugoslav Modern Art [Jasmina Cubrilo] 7. Artists in Service of the
Masses: The Untold Story of the Yugoslav Socialist Realist Project [Ivana
Hanacek] 8. Simultaneous Equations: Early Cold War Cultural Politics and
the History of Art in Greece [Areti Adamopoulou] 9. Cold War Art
Historiography: Some Observations on an Interdisciplinary Approach through
the Social Sciences, [Nancy Jachec] 10. Something is Happening Here. Spaces
and Figures of Change in Post-War Portugal [Luis Trindade] Section 3: A New
Europe? 11. Art Policies, Identity and Ideology in Spain during the 1980s
[Daniel A. Verdú Schumann] 12. Official Art Becoming Resistance. Adopting
the Discourse of Dissent into Estonian Art History Writings [Kädi
Talvoja]13. Gendering Art and Art History in Poland: A Story of Subversion
[Pawel Leszkowicz] 14. Narrating Dissident Art in Spain: the Case of
Desacuerdos. Sobre Arte, Políticas y Esfera Pública (2003-2005) [Alberto
López Cuenca]
García, Patricia Mayayo and Jesús Carrillo] Section 1: Europe after the
Rain 2. The Allied Cultural Policies in Germany after 1945: between
"Re-education" and the Politization of the Arts [Morgane Walter] 3.
UNESCO's Color Reproductions Project: Bringing (French) Art to the World
[Rachel Perry] 4. Curatorial Experiments at the National Gallery after the
Second World War. Reframing History and the Pursuit of Aesthetic Experience
[Ana Baeza Ruiz] 5. The Venice Biennale at Its Turning Points: 1948 and the
Aftermath of 1968 [Stefano Collicelli and Vittoria Martini] Section 2:
Re-reading Cold-War Narratives 6. The Museum of Contemporary Art in
Belgrade and Post-Revolutionary Desire: Producing the Art History Narrative
of Yugoslav Modern Art [Jasmina Cubrilo] 7. Artists in Service of the
Masses: The Untold Story of the Yugoslav Socialist Realist Project [Ivana
Hanacek] 8. Simultaneous Equations: Early Cold War Cultural Politics and
the History of Art in Greece [Areti Adamopoulou] 9. Cold War Art
Historiography: Some Observations on an Interdisciplinary Approach through
the Social Sciences, [Nancy Jachec] 10. Something is Happening Here. Spaces
and Figures of Change in Post-War Portugal [Luis Trindade] Section 3: A New
Europe? 11. Art Policies, Identity and Ideology in Spain during the 1980s
[Daniel A. Verdú Schumann] 12. Official Art Becoming Resistance. Adopting
the Discourse of Dissent into Estonian Art History Writings [Kädi
Talvoja]13. Gendering Art and Art History in Poland: A Story of Subversion
[Pawel Leszkowicz] 14. Narrating Dissident Art in Spain: the Case of
Desacuerdos. Sobre Arte, Políticas y Esfera Pública (2003-2005) [Alberto
López Cuenca]