The words "Asian American film” might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS. In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged.
The words "Asian American film” might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS. In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction: The Shared History of Asian American Film and Video and Public Interest Media Chapter 1: “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982 Chapter 2: The Center for Asian American Media and the Televisual Public Sphere Chapter 3: Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle Over Positive/Negative Images Chapter 4: Dismembered from History: The Counternostalgia of Gregg Araki Chapter 5: Better Luck Tomorrow and the Transnational Reframing of Asian American Film and Video Chapter 6: Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American Zombie Afterword Notes Bibliography Index
Acknowledgments Introduction: The Shared History of Asian American Film and Video and Public Interest Media Chapter 1: “Noble and Uplifting and Boring as Hell”: Asian American Film and Video, 1971–1982 Chapter 2: The Center for Asian American Media and the Televisual Public Sphere Chapter 3: Pathology as Authenticity: ITVS, Terminal USA, and the Televisual Struggle Over Positive/Negative Images Chapter 4: Dismembered from History: The Counternostalgia of Gregg Araki Chapter 5: Better Luck Tomorrow and the Transnational Reframing of Asian American Film and Video Chapter 6: Post–Asian American Feature Film: The Persistence of Institutionality in Finishing the Game: The Search for a New Bruce Lee and American Zombie Afterword Notes Bibliography Index
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