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In Making Audiences, author Hideaki Fujiki offers a social history of a century of Japanese cinema and considers the relationships between audience, collectivity, and belonging.
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In Making Audiences, author Hideaki Fujiki offers a social history of a century of Japanese cinema and considers the relationships between audience, collectivity, and belonging.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 644
- Erscheinungstermin: 22. April 2022
- Englisch
- Abmessung: 224mm x 155mm x 51mm
- Gewicht: 998g
- ISBN-13: 9780197615003
- ISBN-10: 0197615007
- Artikelnr.: 63935483
- Verlag: Oxford University Press, USA
- Seitenzahl: 644
- Erscheinungstermin: 22. April 2022
- Englisch
- Abmessung: 224mm x 155mm x 51mm
- Gewicht: 998g
- ISBN-13: 9780197615003
- ISBN-10: 0197615007
- Artikelnr.: 63935483
Hideaki Fujiki is Professor of Screen Studies at the Graduate School of Humanities, Nagoya University, Japan. His other publications include Making Personas: Transnational Film Stardom in Modern Japan (2013) and The Japanese Cinema Book, co-edited with Alastair Phillips (2020).
* Introduction
* PART I: THE PEOPLE
* Chapter 1: The Emergence of the Social Subject: "The People" and the
Cinema Audience through Popular Entertainment and Social Education
* PART II: THE NATIONAL POPULACE
* Chapter 2: Total War and Transmedia Consumer Culture: The
Re-definition and Contradictions of "the National Populace"
* Chapter 3: Mobilizing Individuals into "the National Populace": The
Cinema Audience from Total War to Postwar
* PART III: EAST ASIAN RACE
* Chapter 4: Inventing "the East Asian Race:" The Fantasy of the
Japanese Empire and Its Mobilization through Cinema
* PART IV: THE MASSES
* Chapter 5: The Politics of "the Masses" in the Televisual and Atomic
Age: Theories of Mass Society, Mass Culture, and Mass Communication
* Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and
the Reassembling of Transmedia Consumer Culture through Television
* PART V: CITIZENS
* Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and
Networking in the Postwar Period and the Age of Risk
* Chapter 8: The Porous Intimate-Public Sphere of "Citizens":
Transmedia Social Movement through Independent Film Screening Events
and Social Media
* Conclusion
* Bibliography
* PART I: THE PEOPLE
* Chapter 1: The Emergence of the Social Subject: "The People" and the
Cinema Audience through Popular Entertainment and Social Education
* PART II: THE NATIONAL POPULACE
* Chapter 2: Total War and Transmedia Consumer Culture: The
Re-definition and Contradictions of "the National Populace"
* Chapter 3: Mobilizing Individuals into "the National Populace": The
Cinema Audience from Total War to Postwar
* PART III: EAST ASIAN RACE
* Chapter 4: Inventing "the East Asian Race:" The Fantasy of the
Japanese Empire and Its Mobilization through Cinema
* PART IV: THE MASSES
* Chapter 5: The Politics of "the Masses" in the Televisual and Atomic
Age: Theories of Mass Society, Mass Culture, and Mass Communication
* Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and
the Reassembling of Transmedia Consumer Culture through Television
* PART V: CITIZENS
* Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and
Networking in the Postwar Period and the Age of Risk
* Chapter 8: The Porous Intimate-Public Sphere of "Citizens":
Transmedia Social Movement through Independent Film Screening Events
and Social Media
* Conclusion
* Bibliography
* Introduction
* PART I: THE PEOPLE
* Chapter 1: The Emergence of the Social Subject: "The People" and the
Cinema Audience through Popular Entertainment and Social Education
* PART II: THE NATIONAL POPULACE
* Chapter 2: Total War and Transmedia Consumer Culture: The
Re-definition and Contradictions of "the National Populace"
* Chapter 3: Mobilizing Individuals into "the National Populace": The
Cinema Audience from Total War to Postwar
* PART III: EAST ASIAN RACE
* Chapter 4: Inventing "the East Asian Race:" The Fantasy of the
Japanese Empire and Its Mobilization through Cinema
* PART IV: THE MASSES
* Chapter 5: The Politics of "the Masses" in the Televisual and Atomic
Age: Theories of Mass Society, Mass Culture, and Mass Communication
* Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and
the Reassembling of Transmedia Consumer Culture through Television
* PART V: CITIZENS
* Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and
Networking in the Postwar Period and the Age of Risk
* Chapter 8: The Porous Intimate-Public Sphere of "Citizens":
Transmedia Social Movement through Independent Film Screening Events
and Social Media
* Conclusion
* Bibliography
* PART I: THE PEOPLE
* Chapter 1: The Emergence of the Social Subject: "The People" and the
Cinema Audience through Popular Entertainment and Social Education
* PART II: THE NATIONAL POPULACE
* Chapter 2: Total War and Transmedia Consumer Culture: The
Re-definition and Contradictions of "the National Populace"
* Chapter 3: Mobilizing Individuals into "the National Populace": The
Cinema Audience from Total War to Postwar
* PART III: EAST ASIAN RACE
* Chapter 4: Inventing "the East Asian Race:" The Fantasy of the
Japanese Empire and Its Mobilization through Cinema
* PART IV: THE MASSES
* Chapter 5: The Politics of "the Masses" in the Televisual and Atomic
Age: Theories of Mass Society, Mass Culture, and Mass Communication
* Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and
the Reassembling of Transmedia Consumer Culture through Television
* PART V: CITIZENS
* Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and
Networking in the Postwar Period and the Age of Risk
* Chapter 8: The Porous Intimate-Public Sphere of "Citizens":
Transmedia Social Movement through Independent Film Screening Events
and Social Media
* Conclusion
* Bibliography