In Making Audiences, author Hideaki Fujiki offers a social history of a century of Japanese cinema and considers the relationships between audience, collectivity, and belonging.
In Making Audiences, author Hideaki Fujiki offers a social history of a century of Japanese cinema and considers the relationships between audience, collectivity, and belonging.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hideaki Fujiki is Professor of Screen Studies at the Graduate School of Humanities, Nagoya University, Japan. His other publications include Making Personas: Transnational Film Stardom in Modern Japan (2013) and The Japanese Cinema Book, co-edited with Alastair Phillips (2020).
Inhaltsangabe
* Introduction * PART I: THE PEOPLE * Chapter 1: The Emergence of the Social Subject: "The People" and the Cinema Audience through Popular Entertainment and Social Education * PART II: THE NATIONAL POPULACE * Chapter 2: Total War and Transmedia Consumer Culture: The Re-definition and Contradictions of "the National Populace" * Chapter 3: Mobilizing Individuals into "the National Populace": The Cinema Audience from Total War to Postwar * PART III: EAST ASIAN RACE * Chapter 4: Inventing "the East Asian Race:" The Fantasy of the Japanese Empire and Its Mobilization through Cinema * PART IV: THE MASSES * Chapter 5: The Politics of "the Masses" in the Televisual and Atomic Age: Theories of Mass Society, Mass Culture, and Mass Communication * Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and the Reassembling of Transmedia Consumer Culture through Television * PART V: CITIZENS * Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and Networking in the Postwar Period and the Age of Risk * Chapter 8: The Porous Intimate-Public Sphere of "Citizens": Transmedia Social Movement through Independent Film Screening Events and Social Media * Conclusion * Bibliography
* Introduction * PART I: THE PEOPLE * Chapter 1: The Emergence of the Social Subject: "The People" and the Cinema Audience through Popular Entertainment and Social Education * PART II: THE NATIONAL POPULACE * Chapter 2: Total War and Transmedia Consumer Culture: The Re-definition and Contradictions of "the National Populace" * Chapter 3: Mobilizing Individuals into "the National Populace": The Cinema Audience from Total War to Postwar * PART III: EAST ASIAN RACE * Chapter 4: Inventing "the East Asian Race:" The Fantasy of the Japanese Empire and Its Mobilization through Cinema * PART IV: THE MASSES * Chapter 5: The Politics of "the Masses" in the Televisual and Atomic Age: Theories of Mass Society, Mass Culture, and Mass Communication * Chapter 6: "The Masses" as Democratic Subjects: Cinema Audiences and the Reassembling of Transmedia Consumer Culture through Television * PART V: CITIZENS * Chapter 7: "Citizens" as Vulnerable Subjects: Individualizing and Networking in the Postwar Period and the Age of Risk * Chapter 8: The Porous Intimate-Public Sphere of "Citizens": Transmedia Social Movement through Independent Film Screening Events and Social Media * Conclusion * Bibliography
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