Making Canada New
Editing, Modernism, and New Media
Herausgeber: Irvine, Dean; Vautour, Bart A; Lent, Vanessa
Making Canada New
Editing, Modernism, and New Media
Herausgeber: Irvine, Dean; Vautour, Bart A; Lent, Vanessa
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An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms.
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An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 416
- Erscheinungstermin: 27. Februar 2017
- Englisch
- Abmessung: 229mm x 147mm x 33mm
- Gewicht: 748g
- ISBN-13: 9781487500597
- ISBN-10: 1487500599
- Artikelnr.: 46603622
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Toronto Press
- Seitenzahl: 416
- Erscheinungstermin: 27. Februar 2017
- Englisch
- Abmessung: 229mm x 147mm x 33mm
- Gewicht: 748g
- ISBN-13: 9781487500597
- ISBN-10: 1487500599
- Artikelnr.: 46603622
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Dean Irvine, Vanessa Lent, Bart Vautour
Contributors
Acknowledgements
Dean Irvine, Vanessa Lent, and Bart Vautour
Introduction
1. Libraries, Archives, Databases, Edition
Sean Latham
Unpacking My Digital Library: Programs, Modernisms, Magazines
Marc André Fortin
Archival Problems, Future Possibilities: Reconceptualizing the Digital
Database in Canada
Melissa Dalgleish
Editing Modules, Collecting Editions: The Present and Future of Small-Scale
Digital Critical Editions
Sophie Marcotte
New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
J.A. Weingarten
Reading the Personal Library, Rereading F.R. Scott
2. Collaborations
Tanya E. Clement
BaronessElsa: An Autobiographical Manifesto
Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA
Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿
Digital Projects
Patrick A. McCarthy and Chris Ackerley
Annotating Malcolm Lowry’s In Ballast to the White Sea
Michael John DiSanto
Editing a Legend: George Whalley
Andrea Hasenbank and EMiC UA
Canadian Manifestos: Between Poetics and Polemics
3. Selective Traditions and Alternative Modernisms
Peter Webb
Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial
Practice
Gregory Betts
When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and
Canada’s Archived Avant Garde
Kailin Wright
Bringing the Text to Life: Editing The God of Gods
Tony Tremblay
Landscapes of Reception: Historicizing the Travails of the New Brunswick
Literary Modernists
Colin Hill
Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited
Acknowledgements
Dean Irvine, Vanessa Lent, and Bart Vautour
Introduction
1. Libraries, Archives, Databases, Edition
Sean Latham
Unpacking My Digital Library: Programs, Modernisms, Magazines
Marc André Fortin
Archival Problems, Future Possibilities: Reconceptualizing the Digital
Database in Canada
Melissa Dalgleish
Editing Modules, Collecting Editions: The Present and Future of Small-Scale
Digital Critical Editions
Sophie Marcotte
New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
J.A. Weingarten
Reading the Personal Library, Rereading F.R. Scott
2. Collaborations
Tanya E. Clement
BaronessElsa: An Autobiographical Manifesto
Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA
Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿
Digital Projects
Patrick A. McCarthy and Chris Ackerley
Annotating Malcolm Lowry’s In Ballast to the White Sea
Michael John DiSanto
Editing a Legend: George Whalley
Andrea Hasenbank and EMiC UA
Canadian Manifestos: Between Poetics and Polemics
3. Selective Traditions and Alternative Modernisms
Peter Webb
Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial
Practice
Gregory Betts
When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and
Canada’s Archived Avant Garde
Kailin Wright
Bringing the Text to Life: Editing The God of Gods
Tony Tremblay
Landscapes of Reception: Historicizing the Travails of the New Brunswick
Literary Modernists
Colin Hill
Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited
Contributors
Acknowledgements
Dean Irvine, Vanessa Lent, and Bart Vautour
Introduction
1. Libraries, Archives, Databases, Edition
Sean Latham
Unpacking My Digital Library: Programs, Modernisms, Magazines
Marc André Fortin
Archival Problems, Future Possibilities: Reconceptualizing the Digital
Database in Canada
Melissa Dalgleish
Editing Modules, Collecting Editions: The Present and Future of Small-Scale
Digital Critical Editions
Sophie Marcotte
New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
J.A. Weingarten
Reading the Personal Library, Rereading F.R. Scott
2. Collaborations
Tanya E. Clement
BaronessElsa: An Autobiographical Manifesto
Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA
Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿
Digital Projects
Patrick A. McCarthy and Chris Ackerley
Annotating Malcolm Lowry’s In Ballast to the White Sea
Michael John DiSanto
Editing a Legend: George Whalley
Andrea Hasenbank and EMiC UA
Canadian Manifestos: Between Poetics and Polemics
3. Selective Traditions and Alternative Modernisms
Peter Webb
Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial
Practice
Gregory Betts
When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and
Canada’s Archived Avant Garde
Kailin Wright
Bringing the Text to Life: Editing The God of Gods
Tony Tremblay
Landscapes of Reception: Historicizing the Travails of the New Brunswick
Literary Modernists
Colin Hill
Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited
Acknowledgements
Dean Irvine, Vanessa Lent, and Bart Vautour
Introduction
1. Libraries, Archives, Databases, Edition
Sean Latham
Unpacking My Digital Library: Programs, Modernisms, Magazines
Marc André Fortin
Archival Problems, Future Possibilities: Reconceptualizing the Digital
Database in Canada
Melissa Dalgleish
Editing Modules, Collecting Editions: The Present and Future of Small-Scale
Digital Critical Editions
Sophie Marcotte
New Perspectives on Gabrielle Roy’s Manuscripts and Unpublished Texts
J.A. Weingarten
Reading the Personal Library, Rereading F.R. Scott
2. Collaborations
Tanya E. Clement
BaronessElsa: An Autobiographical Manifesto
Paul Hjartarson, Harvey Quamen, Kristin Fast, and EMiC UA
Editing the Wilfred Watson and Sheila Watson Archives: Scholarly Editions ¿
Digital Projects
Patrick A. McCarthy and Chris Ackerley
Annotating Malcolm Lowry’s In Ballast to the White Sea
Michael John DiSanto
Editing a Legend: George Whalley
Andrea Hasenbank and EMiC UA
Canadian Manifestos: Between Poetics and Polemics
3. Selective Traditions and Alternative Modernisms
Peter Webb
Selecting Modernist Poetry in Canada: Readers’ Editions and Editorial
Practice
Gregory Betts
When Out in Front Gets Left Behind: Sol Allen’s They Have Bodies and
Canada’s Archived Avant Garde
Kailin Wright
Bringing the Text to Life: Editing The God of Gods
Tony Tremblay
Landscapes of Reception: Historicizing the Travails of the New Brunswick
Literary Modernists
Colin Hill
Modernism, Antimodernism, and Hugh MacLennan’s Novels of the 1930s
Works Cited