A Note on Translations and Film Titles xi Prólogo (Prologue) xiii Acknowledgments xv Introduction 1 Part I. The Yanqui Invasion 17 1. U.S. Motion Picture Companies Go South of the Border 19 2. American Movies, Mexican Modernity: The Cinema as a National Space 47 3. In Lola's House: Fan Discourse in the Making of Mexican Film Culture 85 Part II. Border Crossings 121 4. La Virgen and La Pelona: Film Culture, Border Crossing, and the Modern Mexican Woman 123 5. Denigrating Pictures: Censorship and the Politics of U.S. Film in Greater Mexico 154 6. Al Cine: Mexican Migrants Go to the Movies 180 Conclusion 215 Abbreviations 223 Notes 225 Bibliography 279 Filmography 303 Index 309
A Note on Translations and Film Titles xi Prólogo (Prologue) xiii Acknowledgments xv Introduction 1 Part I. The Yanqui Invasion 17 1. U.S. Motion Picture Companies Go South of the Border 19 2. American Movies, Mexican Modernity: The Cinema as a National Space 47 3. In Lola's House: Fan Discourse in the Making of Mexican Film Culture 85 Part II. Border Crossings 121 4. La Virgen and La Pelona: Film Culture, Border Crossing, and the Modern Mexican Woman 123 5. Denigrating Pictures: Censorship and the Politics of U.S. Film in Greater Mexico 154 6. Al Cine: Mexican Migrants Go to the Movies 180 Conclusion 215 Abbreviations 223 Notes 225 Bibliography 279 Filmography 303 Index 309
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