Making Culture, Changing Society proposes a challenging new account of the relations between culture and society, focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture's action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations.
Making Culture, Changing Society proposes a challenging new account of the relations between culture and society, focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture's action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations.
Tony Bennett is Research Professor in Social and Cultural Theory in the Institute for Culture and Society at the University of Western Sydney. His work has had a defining influence on contemporary debates in cultural studies and cultural sociology. Making Culture, Changing Society builds on and extends his distinctive perspective on the relations between culture and society developed in his The Birth of the Museum; Culture: A Reformer's Science; and Pasts Beyond Memory.
Inhaltsangabe
Introduction. Part I: Culture: Veridical Material and Compositional Perspectives 1. After Culture? 2. Making Culture Organising Freedom Changing Society 3. Civic Laboratories: Museums Cultural Objecthood and the Governance of the Social Part II: Anthropological Assemblages Inter-text 1 4. Making and Mobilising Worlds: Assembling and Governing the Other 5. Collecting Instructing Governing: Fields Publics Milieus Part III: Governing through Freedom: Aesthetics and Liberal Governance Inter-text 2 6. The Uses of Uselessness: Aesthetics Freedom Government 7. Guided Freedom: Aesthetics Tutelage and the Interpretation of Art Part IV: Habit and the Architecture of the PersonInter-text 3 8. Habit Instinct Survivals: Repetition History Biopower 9. Habitus/Habit: Freedom/History. Afterword. References
Introduction. Part I: Culture: Veridical Material and Compositional Perspectives 1. After Culture? 2. Making Culture Organising Freedom Changing Society 3. Civic Laboratories: Museums Cultural Objecthood and the Governance of the Social Part II: Anthropological Assemblages Inter-text 1 4. Making and Mobilising Worlds: Assembling and Governing the Other 5. Collecting Instructing Governing: Fields Publics Milieus Part III: Governing through Freedom: Aesthetics and Liberal Governance Inter-text 2 6. The Uses of Uselessness: Aesthetics Freedom Government 7. Guided Freedom: Aesthetics Tutelage and the Interpretation of Art Part IV: Habit and the Architecture of the PersonInter-text 3 8. Habit Instinct Survivals: Repetition History Biopower 9. Habitus/Habit: Freedom/History. Afterword. References
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