A devastating critique of the Modernist Movement: from the Bauhaus and Le Corbusier, through destructive Modernism-inspired urban planning of the post-war years, it questions how increasingly unequal and dysfunctional societies have been affected by self-serving, self-appointed elites hell-bent on creating an alienating, empathy-less Dystopia.
A devastating critique of the Modernist Movement: from the Bauhaus and Le Corbusier, through destructive Modernism-inspired urban planning of the post-war years, it questions how increasingly unequal and dysfunctional societies have been affected by self-serving, self-appointed elites hell-bent on creating an alienating, empathy-less Dystopia.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Professor James Stevens Curl has been Visiting Fellow at Peterhouse, Cambridge, and is a Member of the Royal Irish Academy, a Fellow of the Society of Antiquaries of London, and a Fellow of the Royal Incorporation of Architects in Scotland. In 2014, De Montfort University awarded him an Honorary Doctorate of Arts in recognition of his 'distinctive contribution... to the intellectual and cultural life of the nation and region'. His many publications include studies of Classical, Georgian, and Victorian architecture, and the most recent edition of his Oxford Dictionary of Architecture (with contributions on landscape from Susan Wilson) was published by Oxford University Press in 2015. In 2017 he was awarded the British Academy President's Medal for 'outstanding service to the cause of the humanities and social sciences' in his wider study of the History of Architecture in Britain and Ireland.
Inhaltsangabe
Prolegomenon Preface and Acknowledgements 1: Origins of a Catastrophe 2: Makers of Mythologies and False Analogies 3: Modernism in Germany in the Aftermath of the 1914-18 War 4: The International Style 1920s and 1930s 5: The International Style Truly International 6: Universal Acceptance of the International Style: A Surprising Aftermath of 1945 7: Descent to Deformity 8: Dangerous Signals 9: Some Further Reflections 10: Epilogue Select Glossary Bibliography Index
Prolegomenon Preface and Acknowledgements 1: Origins of a Catastrophe 2: Makers of Mythologies and False Analogies 3: Modernism in Germany in the Aftermath of the 1914-18 War 4: The International Style 1920s and 1930s 5: The International Style Truly International 6: Universal Acceptance of the International Style: A Surprising Aftermath of 1945 7: Descent to Deformity 8: Dangerous Signals 9: Some Further Reflections 10: Epilogue Select Glossary Bibliography Index
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