"Using a well-known and successful dance and performance method, the authors describe how avatars and robots can be designed to be more comfortable with these technologies"-- Provided by publisher.
"Using a well-known and successful dance and performance method, the authors describe how avatars and robots can be designed to be more comfortable with these technologies"-- Provided by publisher.
Preface ix Acknowledgments xvii Electronic Resources xix Prelude: Opening with Embodied Perspectives 1 Introduction: Inviting Engineers into Movement Studies 3 I Making Meaning through Movement 1 Noticing Movement: Meaning, Measurement, and Experience 27 2 Studying Movement: Somatics, Choreography, and Notation 47 3 Constructing Movement: Somatic Strategies, Choreographic Technologies, and Notational Abstractions through a Laban/Bartenieff Lens 63 II Describing Movement with an Embodied Taxonomy: The BESST System 4 What Is Moving? The Interconnection of Body Parts and Action (Body) 85 5 Where Is the Movement? Spatial Fiducials for Movement (Space) 113 6 When Is the Movement Happening? The Temporal Perception of Movement (Time) 139 7 For Whom Is the Movement? The Relationship between Mover and Environment (Shape) 165 8 How Is the Movement Executed? Movement Quality Enables Shading of Motion (Effort) 185 III Translating Movement to Machines 9 Deconstructing Movement: Case Studies in Expression (Answering “Why?”) 209 10 Notating Movement: Advanced Analysis through Symbolic Representation 243 Conclusion: Understanding Movement 283 Outro: Returning to Embodied Perspectives 293 Appendix A: Symbols in the BESST System 297 Appendix B: Movement Scales 311 Appendix C: Effort Configurations 323 Appendix D: Rationale for the Time Component 327 Appendix E: Pedagogy and Group Work 329 Glossary 339 Notes 359 References 367 Index 383
Preface ix Acknowledgments xvii Electronic Resources xix Prelude: Opening with Embodied Perspectives 1 Introduction: Inviting Engineers into Movement Studies 3 I Making Meaning through Movement 1 Noticing Movement: Meaning, Measurement, and Experience 27 2 Studying Movement: Somatics, Choreography, and Notation 47 3 Constructing Movement: Somatic Strategies, Choreographic Technologies, and Notational Abstractions through a Laban/Bartenieff Lens 63 II Describing Movement with an Embodied Taxonomy: The BESST System 4 What Is Moving? The Interconnection of Body Parts and Action (Body) 85 5 Where Is the Movement? Spatial Fiducials for Movement (Space) 113 6 When Is the Movement Happening? The Temporal Perception of Movement (Time) 139 7 For Whom Is the Movement? The Relationship between Mover and Environment (Shape) 165 8 How Is the Movement Executed? Movement Quality Enables Shading of Motion (Effort) 185 III Translating Movement to Machines 9 Deconstructing Movement: Case Studies in Expression (Answering “Why?”) 209 10 Notating Movement: Advanced Analysis through Symbolic Representation 243 Conclusion: Understanding Movement 283 Outro: Returning to Embodied Perspectives 293 Appendix A: Symbols in the BESST System 297 Appendix B: Movement Scales 311 Appendix C: Effort Configurations 323 Appendix D: Rationale for the Time Component 327 Appendix E: Pedagogy and Group Work 329 Glossary 339 Notes 359 References 367 Index 383
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