Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Margaret S. Graves is Associate Professor of Art History and Adjunct Associate Professor in Middle Eastern Languages and Cultures at Indiana University. She is author of Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam (winner of the 2019 Annual Book Prize, International Center of Medieval Art, and the 2021 Karen Gould Prize, Medieval Academy of America).Alex Dika Seggerman is Assistant Professor of Islamic Art History at Rutgers University-Newark. She held postdoctoral fellowships at Smith College, Hampshire College, and Yale University. She is author of Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary.
Inhaltsangabe
Acknowledgments Note on Transliteration Introduction: Making Modernity in the Islamic Mediterranean, by Margaret S. Graves and Alex Dika Seggerman Part I: Picturing Knowledge 1. Well-Worn Fashions: Repetition and Authenticity in Late Ottoman Costume Books, by Ünver Rüstem 2. Osman Hamdi and the Long Duration of History, by Gülru Çakmak 3. Picturing Knowledge: Visual Literacy in Nineteenth-Century Arabic Periodicals, by Hala Auji 4. The Muybridge Albums in Istanbul: Photography as Diplomacy in the Ottoman Empire, by Emily Neumeier Part II: Conceptualizing Craft 5. The Double Bind of Craft Fidelity: Moroccan Ceramics on the Eve of the French Protectorate, by Margaret S. Graves 6. The Manual Crafts and the Challenge of Modernity in Late Nineteenth-Century Damascus, by Marcus Milwright 7. The Turn to Tapestry: Islamic Textiles and Women Artists in Tunis, by Jessica Gerschultz Part III: Aesthetics of Infrastructure 8. Alabaster and Albumen: Photographs of the Muhammad Ali Mosque and the Making of a Modern Icon, by Alex Dika Seggerman 9. Tents and Trains: Mobilizing Modernity in the Late Ottoman Empire, by Ashley Dimmig 10. Precious Metal: The I-Beam in the Late Ottoman Empire, by Peter Christensen 11. November 1869: The Suez Canal Inauguration, by David J. Roxburgh Timeline Glossary Index
Acknowledgments Note on Transliteration Introduction: Making Modernity in the Islamic Mediterranean, by Margaret S. Graves and Alex Dika Seggerman Part I: Picturing Knowledge 1. Well-Worn Fashions: Repetition and Authenticity in Late Ottoman Costume Books, by Ünver Rüstem 2. Osman Hamdi and the Long Duration of History, by Gülru Çakmak 3. Picturing Knowledge: Visual Literacy in Nineteenth-Century Arabic Periodicals, by Hala Auji 4. The Muybridge Albums in Istanbul: Photography as Diplomacy in the Ottoman Empire, by Emily Neumeier Part II: Conceptualizing Craft 5. The Double Bind of Craft Fidelity: Moroccan Ceramics on the Eve of the French Protectorate, by Margaret S. Graves 6. The Manual Crafts and the Challenge of Modernity in Late Nineteenth-Century Damascus, by Marcus Milwright 7. The Turn to Tapestry: Islamic Textiles and Women Artists in Tunis, by Jessica Gerschultz Part III: Aesthetics of Infrastructure 8. Alabaster and Albumen: Photographs of the Muhammad Ali Mosque and the Making of a Modern Icon, by Alex Dika Seggerman 9. Tents and Trains: Mobilizing Modernity in the Late Ottoman Empire, by Ashley Dimmig 10. Precious Metal: The I-Beam in the Late Ottoman Empire, by Peter Christensen 11. November 1869: The Suez Canal Inauguration, by David J. Roxburgh Timeline Glossary Index
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