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- This collection has been developed with course use in mind. Each of the essays is written with broad historical and cultural background as preparation for a more closely-focused study of individual topics. Front and back matter will also include maps, a timeline, and a glossary of terms. - The collection will offer coverage of aesthetic and cultural development in an area that is well-researched in terms of political history but not so in terms of art history. It also offers a selection of excellent work for nineteenth-century art instructors who seek to incorporate more global material in…mehr

Produktbeschreibung
- This collection has been developed with course use in mind. Each of the essays is written with broad historical and cultural background as preparation for a more closely-focused study of individual topics. Front and back matter will also include maps, a timeline, and a glossary of terms. - The collection will offer coverage of aesthetic and cultural development in an area that is well-researched in terms of political history but not so in terms of art history. It also offers a selection of excellent work for nineteenth-century art instructors who seek to incorporate more global material in their survey courses. - The collection adds to the list's goals in its constructive engagement with an understudied era in an important field of Middle Eastern Studies, in its inclusion of metatextual material to help students and emerging scholars engage fully with the period, and in its clear and mostly jargon-free language. It also incorporates nearly 150 detailed color images to help the reader more fully engage with the subject. - The audience for the work is instructors of Islamic art courses and courses on nineteenth-century art, globalization, and Middle Eastern Studies.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Margaret S. Graves is Associate Professor of Art History and Adjunct Associate Professor in Middle Eastern Languages and Cultures at Indiana University. She is author of Arts of Allusion: Object, Ornament, and Architecture in Medieval Islam (winner of the 2019 Annual Book Prize, International Center of Medieval Art, and the 2021 Karen Gould Prize, Medieval Academy of America). Alex Dika Seggerman is Assistant Professor of Islamic Art History at Rutgers University-Newark. She held postdoctoral fellowships at Smith College, Hampshire College, and Yale University. She is author of Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary.