The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialized articles inaccessible to most audio professionals and students. Making Sense of Recordings addresses this problem by offering a comprehensive account of sound quality in recorded music. The book presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.
The literature dealing with the auditory impact of studio-based practices and technologies on the listening experience is scattered and mainly comprises specialized articles inaccessible to most audio professionals and students. Making Sense of Recordings addresses this problem by offering a comprehensive account of sound quality in recorded music. The book presents analytical tools to evaluate recorded sound and describes how the listening experience is reflected, often metaphorically, in language.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mads Walther-Hansen is Associate Professor at Aalborg University, Denmark. He writes on music listening, music production, sound technology, and sound analysis, and he has published several articles, chapters, and conference papers on cognition and language in relation to music production that examine the conceptualization of sound and the effect of recording technology on the listening experience. He is editor of the Music Journal Danish Musicology Online and co-editor of The Oxford Handbook of Sound and Imagination (Oxford University Press 2019).
Inhaltsangabe
* Introduction: Making Sense of Recordings * Part 1. Foundations and Theory * 1. Discourses of Recorded Sound: Technologies, Production, Listening, and Conceptualization * 2: The Ontology of Recorded Sound * 3: Sound Quality: Reasoning, Action, and Language * Part 2 - Encyclopedia * 4: Conceptualizing Sound Quality: An Encyclopedia of Selected Sound Terminology * References * Index
* Introduction: Making Sense of Recordings * Part 1. Foundations and Theory * 1. Discourses of Recorded Sound: Technologies, Production, Listening, and Conceptualization * 2: The Ontology of Recorded Sound * 3: Sound Quality: Reasoning, Action, and Language * Part 2 - Encyclopedia * 4: Conceptualizing Sound Quality: An Encyclopedia of Selected Sound Terminology * References * Index
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