Timothy D. Taylor theorizes musicâ s economic and noneconomic forms of value to examine how peopleâ s conceptions of value inform and shape their production and consumption of music.
Timothy D. Taylor theorizes musicâ s economic and noneconomic forms of value to examine how peopleâ s conceptions of value inform and shape their production and consumption of music.
Acknowledgments Introduction. Theorizing Value in Practice 1. Supply Chains and the Production of Value of Cultural Goods 2. Making Musicians into Productive Laborers 3. Trendspotters: Agents and Inspectors of Consumer Capitalism 4. Taking the Gift Out and Putting It Back In: From Cultural Goods to Commodities 5. Maintenance and Destruction of an East-Side Los Angeles Indie Rock Scene 6. World Music, Value, and Memory 7. Musical Performance as a Medium of Value 8. Circulation, Value, Exchange, and Music Notes References Index
Acknowledgments Introduction. Theorizing Value in Practice 1. Supply Chains and the Production of Value of Cultural Goods 2. Making Musicians into Productive Laborers 3. Trendspotters: Agents and Inspectors of Consumer Capitalism 4. Taking the Gift Out and Putting It Back In: From Cultural Goods to Commodities 5. Maintenance and Destruction of an East-Side Los Angeles Indie Rock Scene 6. World Music, Value, and Memory 7. Musical Performance as a Medium of Value 8. Circulation, Value, Exchange, and Music Notes References Index
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