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This book retraces Mallarme's trajectory as a poet, showing how he positioned his work in relation to Hegel's Aesthetics. Norman argues that Mallarme situated his work at the conclusion of the history of art, which made Mallarme's work so interesting for Blanchot and Derrida.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.