15,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
  • Broschiertes Buch

Mr. Whitefield has recently died, and his will indicates that his daughter Ann should be left in the care of two men, Roebuck Ramsden and Jack Tanner. Ramsden, a venerable old man, distrusts Jack Tanner, an eloquent youth with revolutionary ideas, possibly a little mad. In spite of what Ramsden says, Ann accepts Tanner as her guardian, though Tanner doesn't want the position at all. She also challenges Tanner's revolutionary beliefs with her own ideas. Despite Tanner's professed dedication to anarchy, he is unable to disarm Ann's charm, and she ultimately persuades him to marry her, choosing…mehr

Produktbeschreibung
Mr. Whitefield has recently died, and his will indicates that his daughter Ann should be left in the care of two men, Roebuck Ramsden and Jack Tanner. Ramsden, a venerable old man, distrusts Jack Tanner, an eloquent youth with revolutionary ideas, possibly a little mad. In spite of what Ramsden says, Ann accepts Tanner as her guardian, though Tanner doesn't want the position at all. She also challenges Tanner's revolutionary beliefs with her own ideas. Despite Tanner's professed dedication to anarchy, he is unable to disarm Ann's charm, and she ultimately persuades him to marry her, choosing him over her more persistent suitor, a young man named Octavius Robinson.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
George Bernard Shaw (1856 - 1950). Irish playwright, author, political activist. George Bernard Shaw was born in Dublin 1856. He was sent to various schools in Dublin but developed a great dislike for the formalised education systems and widespread use of corporal punishment which was prevalent at the time. After working as a clerk in Dublin for several years, in 1876, Shaw left for London to join his mother who was living there. In London, he began reading extensively and writing his first novels. He also became increasingly devoted to the ideals of socialism. He joined the Fabian society and became one of its leading writers and activists, inspiring and helping activists such as Annie Besant. With fellow Fabians such as Sidney and Beatrice Webb, he helped found the London School of Economics (LSE) after receiving private bequests. In 1898 he married Charlotte Payne Townshend, a fellow Irish Fabian. The marriage was never consummated and they remained childless. In 1906, they moved to Ayot St Lawrence in Hertfordshire, where they lived for the remainder of their lives. By the 1890s, Shaw's plays were being performed in London. The income from his plays enabled him to devote his life to writing. Like his contemporary, Oscar Wilde, Shaw's plays were popular for their biting wit and humour. His plays were in contrast to many Victorian plays which tended to be sentimental, escapist and lacking in satire. Shaw wrote he was influenced by Henrik Ibsen who helped pioneer more realistic modern drama. As a committed Socialist, Shaw infused his plays with his concepts of social justice and issues of class. For example, one of his best known plays Pygmalion (1912-13) (later made into a film and musical My Fair Lady) deals with the class divide which characterised British society at the time. However, to the disappointment of Shaw, his plays were mainly enjoyed as entertainment, rather than political commentary. As well as plays, Shaw wrote novels, short stories and was a noted literary critic. In particular, he was influential in criticising the Victorian preference for performing edited Shakespeare plays. By the start of the First World War, Shaw was a well-known playwright, so his strident opposition to the First World War gained him much criticism. He felt governments had coerced the population into needless wars. In Heartbreak House (1919) he said: "It is said that every people has the Government it deserves. It is more to the point that every Government has the electorate it deserves; for the orators of the front bench can edify or debauch an ignorant electorate at will. Thus our democracy moves in a vicious circle of reciprocal worthiness and unworthiness."