Saxophonist Carlos Garnett, despite being blind in his later years, was an integral part of Miles Davis' nonet. His pivotal roles extended beyond live performances to studio work during the "On the Corner" era in 1972. Though he was born in a community of laborers who worked for the Panama Canal Company, his talent and work ethic led him to perform with some of the world's most notable musicians. Garnett's upbringing had influences from various cultures, including Jamaica, Trinidad, and Barbados, which informed his later musical fusions. This autobiography traces Carlos Garnett's journey from…mehr
Saxophonist Carlos Garnett, despite being blind in his later years, was an integral part of Miles Davis' nonet. His pivotal roles extended beyond live performances to studio work during the "On the Corner" era in 1972. Though he was born in a community of laborers who worked for the Panama Canal Company, his talent and work ethic led him to perform with some of the world's most notable musicians. Garnett's upbringing had influences from various cultures, including Jamaica, Trinidad, and Barbados, which informed his later musical fusions. This autobiography traces Carlos Garnett's journey from his native, segregated town of Red Tank, now erased from modern maps. After establishing himself as a prominent musician in his homeland, Garnett left for Brooklyn, NY. There, he worked with Art Blakey, Freddie Hubbard, Charles Mingus, Andrew Hill, Mtume James, Norman Connors and of course, Miles Davis. Garnett's original albums for Muse Records showcased his musical fusions, highlighting his talents as a composer, arranger, and instrumentalist.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
The late Carlos Garnett was a Panamanian-born jazz saxophonist, a gifted soloist, composer and bandleader. Jaime J. Ortiz is a Panamanian record collector, musician and writer. A big fan of Carlos Garnett since his teens, he produced Carlos' final live jazz performance, and they became close friends ever since. He then convinced Carlos to start documenting his life works and is now considered his official biographer.
Inhaltsangabe
Table of Contents Preface by Jaime J. Ortiz Part 1. Panama Roots Up from Paraíso The Gay Crooners Black Majesty Isthmus Conquered Up from Panama The Baby Grand Poughkeepsie Swinging Leo Price Is Right Guns of Freeport Coughing Lungs The Drug Dealer's Girlfriend's Sax Willie Bobo and the Blue Coronet Giggin' with Freddie Hubbard Art Blakey and the Jazz Messengers Lifting My Voice with Andrew Hill Messengers in Japan Mingus Times My African Queen Roy Brooks First Return to Panama The Universal Black Force (UBF) Miles Davis! More with Norman Connors Black Love Journey to Enlightenment Let This Melody Ring On The Tony Silvester Era Cosmos Nucleus: The Big Band Experiment The Girl at the Warehouse Mario Bauzá The Kidney Stone The New Love Roland Alphonso at the Apache Restaurant Downward Spiral Part 2. Life After Life The Miracle The New York State Division for Youth Black Eagles A Note on Self-Defense No Sax Carlos Slow Cook Back Resurgence Fuego en Mi Alma Much Change Back to Van Gelder's Just Like Kenny G Under Nubian Skies The Trip to Jamaica Jamaican Diabetes "He Said" in Swahili The Motherland via Ghana Moon Shadow Katy, Texas Mighty Sparrow and Montego Joe Back to Panama, Like Mother Wanted Panama Jazz Festival Who's Got the Key? Tearing Up the Festivals! The Selecter Oh No, Rubén Ana, My Purum Sonny Rollins, My Brother "La Magnolia" Sheila If Joe Lovano Says So... From Continent to Continent A Panama Jazz Festival in My Name Unlimited Creative Imagination An Unforgettable Return to Japan Shekinah's Smile "Derrame Leve" (Mild Stroke) The Salvation Army The Diggers Descendants In the Latter Years... Mr. G at the Anita Villalaz Theater The Autobiography and the Pandemic Let Us Go (To Higher Heights) Index
Table of Contents Preface by Jaime J. Ortiz Part 1. Panama Roots Up from Paraíso The Gay Crooners Black Majesty Isthmus Conquered Up from Panama The Baby Grand Poughkeepsie Swinging Leo Price Is Right Guns of Freeport Coughing Lungs The Drug Dealer's Girlfriend's Sax Willie Bobo and the Blue Coronet Giggin' with Freddie Hubbard Art Blakey and the Jazz Messengers Lifting My Voice with Andrew Hill Messengers in Japan Mingus Times My African Queen Roy Brooks First Return to Panama The Universal Black Force (UBF) Miles Davis! More with Norman Connors Black Love Journey to Enlightenment Let This Melody Ring On The Tony Silvester Era Cosmos Nucleus: The Big Band Experiment The Girl at the Warehouse Mario Bauzá The Kidney Stone The New Love Roland Alphonso at the Apache Restaurant Downward Spiral Part 2. Life After Life The Miracle The New York State Division for Youth Black Eagles A Note on Self-Defense No Sax Carlos Slow Cook Back Resurgence Fuego en Mi Alma Much Change Back to Van Gelder's Just Like Kenny G Under Nubian Skies The Trip to Jamaica Jamaican Diabetes "He Said" in Swahili The Motherland via Ghana Moon Shadow Katy, Texas Mighty Sparrow and Montego Joe Back to Panama, Like Mother Wanted Panama Jazz Festival Who's Got the Key? Tearing Up the Festivals! The Selecter Oh No, Rubén Ana, My Purum Sonny Rollins, My Brother "La Magnolia" Sheila If Joe Lovano Says So... From Continent to Continent A Panama Jazz Festival in My Name Unlimited Creative Imagination An Unforgettable Return to Japan Shekinah's Smile "Derrame Leve" (Mild Stroke) The Salvation Army The Diggers Descendants In the Latter Years... Mr. G at the Anita Villalaz Theater The Autobiography and the Pandemic Let Us Go (To Higher Heights) Index
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