Mapping Impressionist Painting in Transnational Contexts
Herausgeber: Price, Alice M. Rudy; Burns, Emily C.
Mapping Impressionist Painting in Transnational Contexts
Herausgeber: Price, Alice M. Rudy; Burns, Emily C.
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries.
Andere Kunden interessierten sich auch für
- Mapping Impressionist Painting in Transnational Contexts48,99 €
- Race-ing Art History48,99 €
- Jana WijnsouwNational Identity and Nineteenth-Century Franco-Belgian Sculpture66,99 €
- Diana NewallArt History: The Basics164,99 €
- Modern Women Artists in the Nordic Countries, 1900-196055,99 €
- Diana NewallArt History: The Basics28,99 €
- Jonathan Harris (UK Universiity for the Creative Arts)Art History52,99 €
-
-
-
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Routledge Research in Art History
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 3. Mai 2021
- Englisch
- Abmessung: 180mm x 253mm x 20mm
- Gewicht: 732g
- ISBN-13: 9780367490522
- ISBN-10: 0367490528
- Artikelnr.: 61772801
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Routledge Research in Art History
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 240
- Erscheinungstermin: 3. Mai 2021
- Englisch
- Abmessung: 180mm x 253mm x 20mm
- Gewicht: 732g
- ISBN-13: 9780367490522
- ISBN-10: 0367490528
- Artikelnr.: 61772801
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Emily C. Burns is Associate Professor of Art History at Auburn University. Alice M. Rudy Price is Adjunct Instructor at Temple University, Tyler School of Art and Architecture and Thomas Jefferson University, College of Architecture and the Built Environment.
1. Mapping Impressionist Constellations (Emily C. Burns and Alice M. Rudy
Price); 2. Camille Pissarro, Fritz Melbye, and Early Impressionist
Innovation in Caracas (Mia Laufer); 3. Impressionism as Erasure: Whistler
and the Chincha Islands War (Alexis Clark); 4. Frontier Impressionisms in
the United States and Australia (Emily C. Burns); 5. Transplanting
Impressionism to Canada (Samantha Burton); 6. Christian Krohg's Images of
Family Intimacy in the Age of Impressionism (Øystein Sjåstad); 7. An Arctic
Impressionism?: Anna Boberg and the Lofoten Islands (Isabelle Gapp); 8.
Jeune Turc, Jeune Femme: Impressions of a New "Beauté Orientale" (Ahu
Antmen); 9. "Only the Colors Should Begin to Compose...": Stanis¿aw
Wyspiäski's Window View(s) and the Politics of Polish Color (Amalia
Wojciechowski); 10. Institutionalizing Impressionism: Kuroda Seiki and
Plein-Air in Japan (Chinghsin Wu); 11. From Famed Masters to a New
Generation: Durand-Ruel's Transatlantic Label "Impressionism" (Hadrien
Viraben and Claire Hendren); 12. "The Rayonnement of Our Ideals": French,
German, and Nordic Painting in Fin-de-Siècle France (Nicholas Parkinson);
13. Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism (
Alice M. Rudy Price); 14. "Echoes of Impressionism": Joaqúin Claussel and
the Politics of Mexican Art (Mark A. Castro); 15. Italian Futurism,
Socialism, Urban Change, and Impressionism (Zoë Marie Jones)
Price); 2. Camille Pissarro, Fritz Melbye, and Early Impressionist
Innovation in Caracas (Mia Laufer); 3. Impressionism as Erasure: Whistler
and the Chincha Islands War (Alexis Clark); 4. Frontier Impressionisms in
the United States and Australia (Emily C. Burns); 5. Transplanting
Impressionism to Canada (Samantha Burton); 6. Christian Krohg's Images of
Family Intimacy in the Age of Impressionism (Øystein Sjåstad); 7. An Arctic
Impressionism?: Anna Boberg and the Lofoten Islands (Isabelle Gapp); 8.
Jeune Turc, Jeune Femme: Impressions of a New "Beauté Orientale" (Ahu
Antmen); 9. "Only the Colors Should Begin to Compose...": Stanis¿aw
Wyspiäski's Window View(s) and the Politics of Polish Color (Amalia
Wojciechowski); 10. Institutionalizing Impressionism: Kuroda Seiki and
Plein-Air in Japan (Chinghsin Wu); 11. From Famed Masters to a New
Generation: Durand-Ruel's Transatlantic Label "Impressionism" (Hadrien
Viraben and Claire Hendren); 12. "The Rayonnement of Our Ideals": French,
German, and Nordic Painting in Fin-de-Siècle France (Nicholas Parkinson);
13. Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism (
Alice M. Rudy Price); 14. "Echoes of Impressionism": Joaqúin Claussel and
the Politics of Mexican Art (Mark A. Castro); 15. Italian Futurism,
Socialism, Urban Change, and Impressionism (Zoë Marie Jones)
1. Mapping Impressionist Constellations (Emily C. Burns and Alice M. Rudy
Price); 2. Camille Pissarro, Fritz Melbye, and Early Impressionist
Innovation in Caracas (Mia Laufer); 3. Impressionism as Erasure: Whistler
and the Chincha Islands War (Alexis Clark); 4. Frontier Impressionisms in
the United States and Australia (Emily C. Burns); 5. Transplanting
Impressionism to Canada (Samantha Burton); 6. Christian Krohg's Images of
Family Intimacy in the Age of Impressionism (Øystein Sjåstad); 7. An Arctic
Impressionism?: Anna Boberg and the Lofoten Islands (Isabelle Gapp); 8.
Jeune Turc, Jeune Femme: Impressions of a New "Beauté Orientale" (Ahu
Antmen); 9. "Only the Colors Should Begin to Compose...": Stanis¿aw
Wyspiäski's Window View(s) and the Politics of Polish Color (Amalia
Wojciechowski); 10. Institutionalizing Impressionism: Kuroda Seiki and
Plein-Air in Japan (Chinghsin Wu); 11. From Famed Masters to a New
Generation: Durand-Ruel's Transatlantic Label "Impressionism" (Hadrien
Viraben and Claire Hendren); 12. "The Rayonnement of Our Ideals": French,
German, and Nordic Painting in Fin-de-Siècle France (Nicholas Parkinson);
13. Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism (
Alice M. Rudy Price); 14. "Echoes of Impressionism": Joaqúin Claussel and
the Politics of Mexican Art (Mark A. Castro); 15. Italian Futurism,
Socialism, Urban Change, and Impressionism (Zoë Marie Jones)
Price); 2. Camille Pissarro, Fritz Melbye, and Early Impressionist
Innovation in Caracas (Mia Laufer); 3. Impressionism as Erasure: Whistler
and the Chincha Islands War (Alexis Clark); 4. Frontier Impressionisms in
the United States and Australia (Emily C. Burns); 5. Transplanting
Impressionism to Canada (Samantha Burton); 6. Christian Krohg's Images of
Family Intimacy in the Age of Impressionism (Øystein Sjåstad); 7. An Arctic
Impressionism?: Anna Boberg and the Lofoten Islands (Isabelle Gapp); 8.
Jeune Turc, Jeune Femme: Impressions of a New "Beauté Orientale" (Ahu
Antmen); 9. "Only the Colors Should Begin to Compose...": Stanis¿aw
Wyspiäski's Window View(s) and the Politics of Polish Color (Amalia
Wojciechowski); 10. Institutionalizing Impressionism: Kuroda Seiki and
Plein-Air in Japan (Chinghsin Wu); 11. From Famed Masters to a New
Generation: Durand-Ruel's Transatlantic Label "Impressionism" (Hadrien
Viraben and Claire Hendren); 12. "The Rayonnement of Our Ideals": French,
German, and Nordic Painting in Fin-de-Siècle France (Nicholas Parkinson);
13. Impressionism Projected: Anna Ancher, Hygge, and Danish Modernism (
Alice M. Rudy Price); 14. "Echoes of Impressionism": Joaqúin Claussel and
the Politics of Mexican Art (Mark A. Castro); 15. Italian Futurism,
Socialism, Urban Change, and Impressionism (Zoë Marie Jones)