Mapping Medea
Revolutions and Transfers 1750-1800
Herausgeber: Albrektson, Anna; Macintosh, Fiona
Mapping Medea
Revolutions and Transfers 1750-1800
Herausgeber: Albrektson, Anna; Macintosh, Fiona
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This insightful and varied collection of essays uses rare material from archives across Europe to examine the many stage versions of Medea throughout the late-eighteenth century.
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This insightful and varied collection of essays uses rare material from archives across Europe to examine the many stage versions of Medea throughout the late-eighteenth century.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 288
- Erscheinungstermin: 25. Dezember 2023
- Englisch
- Abmessung: 229mm x 163mm x 30mm
- Gewicht: 588g
- ISBN-13: 9780192884190
- ISBN-10: 0192884190
- Artikelnr.: 68169102
- Verlag: Oxford University Press
- Seitenzahl: 288
- Erscheinungstermin: 25. Dezember 2023
- Englisch
- Abmessung: 229mm x 163mm x 30mm
- Gewicht: 588g
- ISBN-13: 9780192884190
- ISBN-10: 0192884190
- Artikelnr.: 68169102
Anna Albrektson (FKA Cullhed) is Professor of Literature at Stockholm University. She has published on eighteenth- and nineteenth-century European poetics, and Swedish sentimental literature. Her current research concerns ecocriticism and Swedish literature, 1780-1840. Her project 'Moving Medea: The Transcultural stage in the Eighteenth Century' was funded by the Swedish Foundation for Humanities and Social Sciences. Albrektson is a former President of the Swedish Society for Eighteenth-Century Studies. Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College, University of Oxford. She is the author of Dying Acts (1994), Greek Tragedy and the British Theatre 1660-1914 (OUP, 2005--with Edith Hall), Sophocles' Oedipus Tyrannus (2009), and Performing Epic or Telling Tales (OUP, 2020--with Justine McConnell). She has edited nine APGRD volumes, most recently Epic Performances from the Middle Ages into the Twenty-First Century (OUP, 2018) and Seamus Heaney and the Classics (OUP, 2019).
* 1: Anna Albrektson and Fiona Macintosh: Mapping Medea: Revolutions
and Transfers 1750-1800
* I: Medea in an Expanding Eighteenth-Century World
* 2: Edith Hall: Pushing the Boundaries of Operatic Convention and
European Identity: Generic and Historical Perspectives on Georg
Benda's 1775 Medea
* 3: Larisa Nikiforova: Medea's Russian Images on Stage and in
Literature: The Politics and Poetics of Female Characters
* 4: Anthony John Lappin: An Imperial Medea: Spain, Portugal, the
Colonies
* 5: Anna Albrektson: Inverting the Barbarian: Estrangement and Excess
in the Eighteenth-Century Medea
* II: Local Interpretations and Global Issues: Ontology and Form
* 6: Fiona Macintosh: From Hearth to Hades: Breaking Boundaries with
Medea and ballet d'action
* 7: Jörg Krämer: Shaping Complexity: Medea in the German-Language
Theatre of the Eighteenth Century
* 8: Petra Dotläilová: Visual Narrative: The Role of Costumes in
Noverre's ballet d'action, Médée et Jason
* 9: Zoé Schweitzer: Medea as Infanticidal Mother in the Late
Eighteenth-Century Theatre
* 10: Roland Lysell: Medea--Sorceress or Woman? c.1750 and Beyond
* Bibliography
* Index
and Transfers 1750-1800
* I: Medea in an Expanding Eighteenth-Century World
* 2: Edith Hall: Pushing the Boundaries of Operatic Convention and
European Identity: Generic and Historical Perspectives on Georg
Benda's 1775 Medea
* 3: Larisa Nikiforova: Medea's Russian Images on Stage and in
Literature: The Politics and Poetics of Female Characters
* 4: Anthony John Lappin: An Imperial Medea: Spain, Portugal, the
Colonies
* 5: Anna Albrektson: Inverting the Barbarian: Estrangement and Excess
in the Eighteenth-Century Medea
* II: Local Interpretations and Global Issues: Ontology and Form
* 6: Fiona Macintosh: From Hearth to Hades: Breaking Boundaries with
Medea and ballet d'action
* 7: Jörg Krämer: Shaping Complexity: Medea in the German-Language
Theatre of the Eighteenth Century
* 8: Petra Dotläilová: Visual Narrative: The Role of Costumes in
Noverre's ballet d'action, Médée et Jason
* 9: Zoé Schweitzer: Medea as Infanticidal Mother in the Late
Eighteenth-Century Theatre
* 10: Roland Lysell: Medea--Sorceress or Woman? c.1750 and Beyond
* Bibliography
* Index
* 1: Anna Albrektson and Fiona Macintosh: Mapping Medea: Revolutions
and Transfers 1750-1800
* I: Medea in an Expanding Eighteenth-Century World
* 2: Edith Hall: Pushing the Boundaries of Operatic Convention and
European Identity: Generic and Historical Perspectives on Georg
Benda's 1775 Medea
* 3: Larisa Nikiforova: Medea's Russian Images on Stage and in
Literature: The Politics and Poetics of Female Characters
* 4: Anthony John Lappin: An Imperial Medea: Spain, Portugal, the
Colonies
* 5: Anna Albrektson: Inverting the Barbarian: Estrangement and Excess
in the Eighteenth-Century Medea
* II: Local Interpretations and Global Issues: Ontology and Form
* 6: Fiona Macintosh: From Hearth to Hades: Breaking Boundaries with
Medea and ballet d'action
* 7: Jörg Krämer: Shaping Complexity: Medea in the German-Language
Theatre of the Eighteenth Century
* 8: Petra Dotläilová: Visual Narrative: The Role of Costumes in
Noverre's ballet d'action, Médée et Jason
* 9: Zoé Schweitzer: Medea as Infanticidal Mother in the Late
Eighteenth-Century Theatre
* 10: Roland Lysell: Medea--Sorceress or Woman? c.1750 and Beyond
* Bibliography
* Index
and Transfers 1750-1800
* I: Medea in an Expanding Eighteenth-Century World
* 2: Edith Hall: Pushing the Boundaries of Operatic Convention and
European Identity: Generic and Historical Perspectives on Georg
Benda's 1775 Medea
* 3: Larisa Nikiforova: Medea's Russian Images on Stage and in
Literature: The Politics and Poetics of Female Characters
* 4: Anthony John Lappin: An Imperial Medea: Spain, Portugal, the
Colonies
* 5: Anna Albrektson: Inverting the Barbarian: Estrangement and Excess
in the Eighteenth-Century Medea
* II: Local Interpretations and Global Issues: Ontology and Form
* 6: Fiona Macintosh: From Hearth to Hades: Breaking Boundaries with
Medea and ballet d'action
* 7: Jörg Krämer: Shaping Complexity: Medea in the German-Language
Theatre of the Eighteenth Century
* 8: Petra Dotläilová: Visual Narrative: The Role of Costumes in
Noverre's ballet d'action, Médée et Jason
* 9: Zoé Schweitzer: Medea as Infanticidal Mother in the Late
Eighteenth-Century Theatre
* 10: Roland Lysell: Medea--Sorceress or Woman? c.1750 and Beyond
* Bibliography
* Index