Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography.
Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography.
Simonetta Moro is a visual artist and the Vice President for Academic Affairs, Director, and Associate Professor of Art and Theory at the Institute for Doctoral Studies in the Visual Arts.
Inhaltsangabe
Introduction. The Question of Mapping Part 1: Archaeologies 1. Travelers Without Maps 2. Mapping in the Age of the World Picture Part 2: Topologies 3. Topologies of Difference 4. Carto-aesthetics: Modalities of Art Making 5. Poetic Cartography as Nomadic Mapping Conclusion. After the End of the World Picture Appendix. Mapping in the Time of Global Pandemic
Introduction. The Question of Mapping Part 1: Archaeologies 1. Travelers Without Maps 2. Mapping in the Age of the World Picture Part 2: Topologies 3. Topologies of Difference 4. Carto-aesthetics: Modalities of Art Making 5. Poetic Cartography as Nomadic Mapping Conclusion. After the End of the World Picture Appendix. Mapping in the Time of Global Pandemic
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