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Of all the film industries "out there," Hollywood retains the most dominant share of the international marketplace with 57% in 2006. This has lead to growing concern that Hollywood's dominance of the international cinematic and media marketplace, not only stymies smaller foreign industries, but in a cultural imperialistic way also influences foreign societies and cultures. In this book I attempt to map the borders, the point of intersection, and the points of divergence, from an "Asia-first" perspective. By looking at the popular culture world this way, this book identifies for the reader the…mehr

Produktbeschreibung
Of all the film industries "out there," Hollywood
retains the most dominant share of the international
marketplace with 57% in 2006. This has lead to
growing concern that Hollywood's dominance of the
international cinematic and media marketplace, not
only stymies smaller foreign industries, but in a
cultural imperialistic way also influences foreign
societies and cultures. In this book I attempt to
map the borders, the point of intersection, and the
points of divergence, from an "Asia-first"
perspective. By looking at the popular culture world
this way, this book identifies for the reader the
stakes involved in neglecting to do a critical
examination and hopes to effect an appreciating for
the interstices between the cultural spaces.
Autorenporträt
Miguel Llora holds three MA Degrees (SFU and SDSU) and is a PhD
Student of American Studies at the University of Hawaii at
Manoa. His interest include: American, Asian, Asian American,
Postcolonial, Cultural, and Cross Cultural Studies, Media
Studies, Japanese Anime and Manga, Eastern and Western
Philosophy.