An incisive exploration of two works whose revival is a milestone in modern musical life: Margaret Bonds's Montgomery Variations and Credo â now receiving the recognition long denied them. This brief, yet informative, appraisal introduces readers to masterworks that, though originating in the mid-twentieth century, speak directly to our own age.
An incisive exploration of two works whose revival is a milestone in modern musical life: Margaret Bonds's Montgomery Variations and Credo â now receiving the recognition long denied them. This brief, yet informative, appraisal introduces readers to masterworks that, though originating in the mid-twentieth century, speak directly to our own age.
John Michael Cooper is Professor of Music at Southwestern University. He is the author of the first book-length biography of Margaret Bonds (forthcoming), the Historical Dictionary of Romantic Music (2nd ed. 2023), and three books on Felix Mendelssohn, as well as editor of numerous compositions by Bonds and Florence Price.
Inhaltsangabe
Introduction 1. Margaret Bonds's societal mission and the Montgomery variations 2. Hope, divine benevolence, and the Montgomery variations 3. The text and music of the credo 4. Interpreting the credo in context.
Introduction 1. Margaret Bonds's societal mission and the Montgomery variations 2. Hope, divine benevolence, and the Montgomery variations 3. The text and music of the credo 4. Interpreting the credo in context.
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