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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Margherita Durastanti (active 1700 1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700-01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she…mehr

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Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Margherita Durastanti (active 1700 1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700-01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she enjoyed a longer personal association with the composer than any other musician. As well as performing many of his early Italian solo cantatas, Durastanti's first roles for Handel included Mary Magdalene in his oratorio La Resurrezione (1709) and the title role in Agrippina later in the same year, in her capacity as prima donna of the S Giovanni Grisostomo Theatre in Venice, where she sang from 1709 to 1712.