Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.
Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras' films, and how they relate to her female-centred perspective.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michelle Royer is Associate Professor and Chair of the Department of French and Francophone Studies at the University of Sydney, where she teaches French speaking cinema. Her research focuses on 20th and 21st Century cinema, French socio-political films, French female filmmakers, Marguerite Duras's cinema and French feminist thought. She has published extensively on French Female filmmakers and on star studies in French and in English.
Inhaltsangabe
Introduction 1: Film Theory, Multisensoriality and the Feminine 2: Inscribing Authorship 3: De-synchronisation, Subversion and the Senses 4: Multisensorial Visuality 5: Soundscape: Sonic Aesthetics and the Feminine Conclusion Bibliography Filmography
Introduction 1: Film Theory, Multisensoriality and the Feminine 2: Inscribing Authorship 3: De-synchronisation, Subversion and the Senses 4: Multisensorial Visuality 5: Soundscape: Sonic Aesthetics and the Feminine Conclusion Bibliography Filmography
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