. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.
. With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniel E. O’Sullivan is an assistant professor in the Department of Modern Languages at the University of Mississippi.
Inhaltsangabe
Acknowledgments Introduction: Secular and Religious in Medieval Culture Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness * The Human and Divine in Harmony * 'Amours, qui bien set enchanter' (I Ch 3/RS 851) * 'Roÿne celestre' (I Ch 5/RS 956, 1903) * 'D'une amour quoie et serie' (II Ch 5/RS 1212) Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids * Thibaut in the Line of Gautier * Thibaut's Hybridized Marian Songs * 'Commencerai a fere un lai': Genre and Aesthetic Play Chapter 3: Voicing Marian Devotion in Women's Devotional Song * Songs in the Voice of Everywoman * Religious Women Voicing Marian Devotion * Mary's Voice: 'Lasse, que devendrai gié' Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta * Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism * Towards a Generative Model of Kaleidoscopic Contrafacture * Traditionalism, Innovation, and ';Retrowange novelle' * The Future of Old French Marian Song Chapter 5: Rutebeuf: Beyond the World of Marian Song * Rutebeuf's Polemical Marian Poetry * Marian Devotion Dramatized * When Mary Intercedes: 'Un dist de Nostre Dame' Conclusion: Contrafacture and Cultural Exchange Appendix of textual and musical editions of songs and poems Notes Bibliography Index
Acknowledgments Introduction: Secular and Religious in Medieval Culture Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness * The Human and Divine in Harmony * 'Amours, qui bien set enchanter' (I Ch 3/RS 851) * 'Roÿne celestre' (I Ch 5/RS 956, 1903) * 'D'une amour quoie et serie' (II Ch 5/RS 1212) Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids * Thibaut in the Line of Gautier * Thibaut's Hybridized Marian Songs * 'Commencerai a fere un lai': Genre and Aesthetic Play Chapter 3: Voicing Marian Devotion in Women's Devotional Song * Songs in the Voice of Everywoman * Religious Women Voicing Marian Devotion * Mary's Voice: 'Lasse, que devendrai gié' Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta * Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism * Towards a Generative Model of Kaleidoscopic Contrafacture * Traditionalism, Innovation, and ';Retrowange novelle' * The Future of Old French Marian Song Chapter 5: Rutebeuf: Beyond the World of Marian Song * Rutebeuf's Polemical Marian Poetry * Marian Devotion Dramatized * When Mary Intercedes: 'Un dist de Nostre Dame' Conclusion: Contrafacture and Cultural Exchange Appendix of textual and musical editions of songs and poems Notes Bibliography Index
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