Mary Richards
Marina Abramovic
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Mary Richards
Marina Abramovic
- Broschiertes Buch
Marina Abramovic is a creator of pioneering performance art which transcends the form's provocative origins. Now revised and updated, this volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.
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Marina Abramovic is a creator of pioneering performance art which transcends the form's provocative origins. Now revised and updated, this volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.
Produktdetails
- Produktdetails
- Routledge Performance Practitioners
- Verlag: Taylor & Francis Inc
- 2 ed
- Seitenzahl: 192
- Erscheinungstermin: 17. Oktober 2018
- Englisch
- Abmessung: 195mm x 126mm x 15mm
- Gewicht: 210g
- ISBN-13: 9780815364221
- ISBN-10: 0815364229
- Artikelnr.: 54467988
- Routledge Performance Practitioners
- Verlag: Taylor & Francis Inc
- 2 ed
- Seitenzahl: 192
- Erscheinungstermin: 17. Oktober 2018
- Englisch
- Abmessung: 195mm x 126mm x 15mm
- Gewicht: 210g
- ISBN-13: 9780815364221
- ISBN-10: 0815364229
- Artikelnr.: 54467988
Mary Richards is a Reader at Brunel University London, UK. She has written a number of papers and journal articles on performance and live art practices.
List of Figures. ACKNOWLEDGEMENTS. 1. BIOGRAPHY AND CONTEXT. Beginnings in
the Balkans. Revolutionary fervour. Risk. Relations and relationships.
Transition. 'Cleaning the House'. Continuity. Origins and authenticity. 2.
WRITINGS, INTERVIEWS AND INFLUENCES. Defining moments and early
discoveries. Global perspective/nomadic outlook. Conditions for creativity.
East West/Global South Global North. The desert as source. 'Transitory
Objects' and spectator interactivity. Cage and Klein. Documentation. The
mind's potential. Trance states and experiences of time. Space and place.
Creative contradictions. Film and video works. Extended receptivity. Return
to the Balkans. The physical, the spiritual. Spiritual energy. 3. KEY
WORKS. Early works up to 1975, Rhythm series. Collaborative period
1975-1988, Nightsea Crossing and The Lovers: The Great Wall Walk.
1988-2008, Balkan Baroque and The House with the Ocean View. 2008-2018,
The Artist is Present, 512 Hours and The Cleaner. Artists for hire. 4.
PRACTICAL EXPLORATIONS AND THEIR ORIGINS. Workshop retreat. Body
conditioning. Sensory awareness and receptivity. Memory and re-membering.
GLOSSARY. BIBLIOGRAPHY. INDEX.
the Balkans. Revolutionary fervour. Risk. Relations and relationships.
Transition. 'Cleaning the House'. Continuity. Origins and authenticity. 2.
WRITINGS, INTERVIEWS AND INFLUENCES. Defining moments and early
discoveries. Global perspective/nomadic outlook. Conditions for creativity.
East West/Global South Global North. The desert as source. 'Transitory
Objects' and spectator interactivity. Cage and Klein. Documentation. The
mind's potential. Trance states and experiences of time. Space and place.
Creative contradictions. Film and video works. Extended receptivity. Return
to the Balkans. The physical, the spiritual. Spiritual energy. 3. KEY
WORKS. Early works up to 1975, Rhythm series. Collaborative period
1975-1988, Nightsea Crossing and The Lovers: The Great Wall Walk.
1988-2008, Balkan Baroque and The House with the Ocean View. 2008-2018,
The Artist is Present, 512 Hours and The Cleaner. Artists for hire. 4.
PRACTICAL EXPLORATIONS AND THEIR ORIGINS. Workshop retreat. Body
conditioning. Sensory awareness and receptivity. Memory and re-membering.
GLOSSARY. BIBLIOGRAPHY. INDEX.
List of Figures. ACKNOWLEDGEMENTS. 1. BIOGRAPHY AND CONTEXT. Beginnings in
the Balkans. Revolutionary fervour. Risk. Relations and relationships.
Transition. 'Cleaning the House'. Continuity. Origins and authenticity. 2.
WRITINGS, INTERVIEWS AND INFLUENCES. Defining moments and early
discoveries. Global perspective/nomadic outlook. Conditions for creativity.
East West/Global South Global North. The desert as source. 'Transitory
Objects' and spectator interactivity. Cage and Klein. Documentation. The
mind's potential. Trance states and experiences of time. Space and place.
Creative contradictions. Film and video works. Extended receptivity. Return
to the Balkans. The physical, the spiritual. Spiritual energy. 3. KEY
WORKS. Early works up to 1975, Rhythm series. Collaborative period
1975-1988, Nightsea Crossing and The Lovers: The Great Wall Walk.
1988-2008, Balkan Baroque and The House with the Ocean View. 2008-2018,
The Artist is Present, 512 Hours and The Cleaner. Artists for hire. 4.
PRACTICAL EXPLORATIONS AND THEIR ORIGINS. Workshop retreat. Body
conditioning. Sensory awareness and receptivity. Memory and re-membering.
GLOSSARY. BIBLIOGRAPHY. INDEX.
the Balkans. Revolutionary fervour. Risk. Relations and relationships.
Transition. 'Cleaning the House'. Continuity. Origins and authenticity. 2.
WRITINGS, INTERVIEWS AND INFLUENCES. Defining moments and early
discoveries. Global perspective/nomadic outlook. Conditions for creativity.
East West/Global South Global North. The desert as source. 'Transitory
Objects' and spectator interactivity. Cage and Klein. Documentation. The
mind's potential. Trance states and experiences of time. Space and place.
Creative contradictions. Film and video works. Extended receptivity. Return
to the Balkans. The physical, the spiritual. Spiritual energy. 3. KEY
WORKS. Early works up to 1975, Rhythm series. Collaborative period
1975-1988, Nightsea Crossing and The Lovers: The Great Wall Walk.
1988-2008, Balkan Baroque and The House with the Ocean View. 2008-2018,
The Artist is Present, 512 Hours and The Cleaner. Artists for hire. 4.
PRACTICAL EXPLORATIONS AND THEIR ORIGINS. Workshop retreat. Body
conditioning. Sensory awareness and receptivity. Memory and re-membering.
GLOSSARY. BIBLIOGRAPHY. INDEX.